Pre Order

Henry, and a piece from the film’s original score, composed by Tamar-Kali Brown. Side A 1. Good Golly, Miss Molly – Little Richard 2. Strange Things Happening Every Day – Valerie June 3. Baby (demo) – Little Richard 4. I’m Just A Lonely Guy (All Alone) – Little Richard 5. Tutti Frutti – Little Richard and His Band 6. Long Tall Sally – Little Richard and His Band Side B 1. Lucille – Little Richard and His Band 2. Bama Lama Bama Loo – Little Richard 3. Rip It Up – Little Richard and His Band 4. Ready Teddy – Little Richard and His Band 5. The Girl Can’t Help It – Little Richard and His Band 6. Send Me Some Lovin’ – Little Richard and His Band 7. Tutti Frutti – Cory Henry 8. Legacy – Tamar-Kali Brown

(lead vocals and keys), KANA (guitar), YUNA (drums) and YUUKI (bassist-lyricist) to collaborate with artists abroad, to create a work that found catharsis in their international community.

garage-punk with a palpable sense of catharsis that we can all benefit from. Inspired by Savages, their sound matured into energetic and abrasive garage-punk, synthesising influences ranging from early Pixies, Bauhaus, Siouxsie Sioux, IDLES and LCD Soundsystem.

garage-punk with a palpable sense of catharsis that we can all benefit from. Inspired by Savages, their sound matured into energetic and abrasive garage-punk, synthesising influences ranging from early Pixies, Bauhaus, Siouxsie Sioux, IDLES and LCD Soundsystem.

a broken doll that serves as a metaphor for the album’s themes of fragility and vulnerability. The album finds NewDad reconnect with their musical roots, digging deep into the shoegaze/rock sonics that soundtracked their formative years (the band cite Pixies, The Cure and Slowdive as some of their biggest early influences), together with glimmers of indie/pop that harks back to their earlier material: ‘Waves EP’ (2021) and ‘Banshee EP’ (2022). Written in their home city of Galway, Ireland, before the band moved to London this year, and recorded at the legendry Rockfield Studios (Black Sabbath, Queen), the album has been produced by NewDad’s long-time collaborator Chris Ryan (Just Mustard) and mixed by Alan Moulder (The Smashing Pumpkins, Nine Inch Nails, Wet Leg). Bound together by Julie’s ghostly vocal - a vessel for her weighty, introspective songwriting – MADRA firmly marks NewDad as one of Ireland’s most promising debut guitar bands.

a broken doll that serves as a metaphor for the album’s themes of fragility and vulnerability. The album finds NewDad reconnect with their musical roots, digging deep into the shoegaze/rock sonics that soundtracked their formative years (the band cite Pixies, The Cure and Slowdive as some of their biggest early influences), together with glimmers of indie/pop that harks back to their earlier material: ‘Waves EP’ (2021) and ‘Banshee EP’ (2022). Written in their home city of Galway, Ireland, before the band moved to London this year, and recorded at the legendry Rockfield Studios (Black Sabbath, Queen), the album has been produced by NewDad’s long-time collaborator Chris Ryan (Just Mustard) and mixed by Alan Moulder (The Smashing Pumpkins, Nine Inch Nails, Wet Leg). Bound together by Julie’s ghostly vocal - a vessel for her weighty, introspective songwriting – MADRA firmly marks NewDad as one of Ireland’s most promising debut guitar bands.

songs on this album challenge societal norms, breathe life into the mundane and they dream big. 'One More Thing' is ambitious in its song-writing as well as its themes. Lime Garden welcome new technologies to help their traditional guitar sounds flourish into pop songs for the here and now. Lime Garden are Chloe, Leila, Tippi and Annabel.

original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket. US Import.

Dream. After he moved to Los Angeles - a city the band has grown up being captivated by - he was forced to wrestle with the disillusionment that comes when expectations, dreams, and reality don't quite meet. Yet, though Pick-Up Full of Pink Carnations is an album about reconciling with loss, it's also filled with gratitude for the people and places we once loved. "Pink carnations symbolise gratitude and tell a person they’ll never be forgotten," says Young. "So whether it's the loss of a lover, or a friend, or even just a dream, the record is a reminder that they’ll live on in whatever capacity the mind allows them to. And it's a reminder to keep on dreaming.” Produced by Andrew Wells (Halsey, Phoebe Bridgers) with Mixing from Dave Fridmann (Tame Impala, The Flaming Lips), Pick-Up Full of Pink Carnations is an immediately anthemic addition to the band's discography. With a mammoth five UK Top 5 albums – including a Number 1 with 2012’s Come of Age – and a fierce live reputation forged through arena-filling headline shows and unforgettable slots at Glastonbury and Reading/Leeds, The Vaccines continue to be a vital band in the British rock canon.

Dream. After he moved to Los Angeles - a city the band has grown up being captivated by - he was forced to wrestle with the disillusionment that comes when expectations, dreams, and reality don't quite meet. Yet, though Pick-Up Full of Pink Carnations is an album about reconciling with loss, it's also filled with gratitude for the people and places we once loved. "Pink carnations symbolise gratitude and tell a person they’ll never be forgotten," says Young. "So whether it's the loss of a lover, or a friend, or even just a dream, the record is a reminder that they’ll live on in whatever capacity the mind allows them to. And it's a reminder to keep on dreaming.” Produced by Andrew Wells (Halsey, Phoebe Bridgers) with Mixing from Dave Fridmann (Tame Impala, The Flaming Lips), Pick-Up Full of Pink Carnations is an immediately anthemic addition to the band's discography. With a mammoth five UK Top 5 albums – including a Number 1 with 2012’s Come of Age – and a fierce live reputation forged through arena-filling headline shows and unforgettable slots at Glastonbury and Reading/Leeds, The Vaccines continue to be a vital band in the British rock canon.

much closer to home for the boys. It seems the further afar they play the tighter their grip on their roots become, playing their biggest headline show to date in Bootle a small town in North Liverpool where some of the lads grew up. This nostalgia and a dockland setting provided a post-war aesthetic to inspire the album, reflected in the name and the artwork. America had also become a new pasture for the band which you can really hear in this album. A change from the well polished, clean cut sonic that had become a theme in the band's previous works and replaced with the raw energy they're known to produce onstage. The industrial influence is reflected in the production and it became a conscious effort to add more sound effects, distortions and echoes into the arrangement of the songs.

much closer to home for the boys. It seems the further afar they play the tighter their grip on their roots become, playing their biggest headline show to date in Bootle a small town in North Liverpool where some of the lads grew up. This nostalgia and a dockland setting provided a post-war aesthetic to inspire the album, reflected in the name and the artwork. America had also become a new pasture for the band which you can really hear in this album. A change from the well polished, clean cut sonic that had become a theme in the band's previous works and replaced with the raw energy they're known to produce onstage. The industrial influence is reflected in the production and it became a conscious effort to add more sound effects, distortions and echoes into the arrangement of the songs.

down at this year's Tramlines, with hundreds unable to get into the big top to see them play. They’ve supported Liam Gallagher, James and Blondie, their streams are also getting comfortably in the millions…not bad for a band from Warrington. Their gigs are a guaranteed riot, with the recent 13 date sellout UK & Ireland tour leading them to being asked to put in a Royal Albert Hall appearance with Kasabian on their day off. This pulsing live reputation shouldn’t overlook the sophistication that gives The K’s their immediately identifiable blueprint though. Their debut single “Sarajevo” was one of the few rock & roll songs to namecheck Austro-Hungary, whilst notching up over 4 million streams in the process, and their recent single ‘Hoping Maybe’ became a phone-lights-on live anthem that reached number 2 on the iTunes chart, kept off the top spot only by Miley Cyrus. So where next? The band have just been announced as main support on the upcoming tour for the recent number 1 album success story that is The Reytons, taking in arenas, warehouses and Academy venues. Their debut album will be released in early 2024 on thriving Manchester indie LAB Records. With each new release, The K’s will just keep growing. A cult sensation, an irresistible, irrefutable spirit, welcoming to anyone who wants to join and escape into a better, more hopeful world.

by Kevin Gray.

to happen with the songs un2l we returned to Toronto,” she recalls. “Joseph and I had been talking about working together a}er sending across some demos and Jason happened to recommend his studio at the exact same 2me, so everything came together naturally at that point.” Whilst her most recent adventures may have seen Shirley Hurt bound for Texas as an official SXSW ar2st (hand-picked by Gorilla Vs Bear to perform at their own showcase), she currently resides in her na2ve Canada, more specifically rural Ontario, close to friends and family, and is already working on her second album. The 2es to lineage are interwoven in the fabric of the music. Hurt’s mother, ar2st Leala Hewak, ins2lled a lust for life and innate value of crea2vity in her from a young age as she explored the role of gallery owner, vintage jewellery show host, mid-century modern furniture expert, real estate agent, painter. Hurt’s father, a civil li2ga2on lawyer and new-wave obsessed music lover with an extensive vinyl collec2on, introduced Hurt to a wide-range of ar2sts at a young age such as Nina Hagen, Laurie Anderson, Tom Tom Club, and endless others.

stage band, that's our natural habitat," says baritonesax playerCuca Ferreira."A show has its own narrative, and we tried to give that to this album."

And Barbed Wire (Side A) Lake Charles (Side A) Can't Let Go (Side B) I Lost It (Side B) Metal Firecracker (Side B) Greenville (Side B) Still I Long For Your Kiss (Side B) Joy (Side B) Jackson (Side B)