/ Dora Morelenbaum - Vento de Beirada / Cadu Tenório & Juçara Marçal - Candombe - La Cacundê Iauê / Jonas Sa - Gigolô / Troá - Bandeide / Marcelo Callado - Simbora (feat. Silvia Machete) / Ovo Ou Bicho - Moços / Lê Almeida - Apreço Antigo / Vovô Bebê - Briga de Família (feat. Ana Frango) / Joana Queiroz - Dois Litorais / Raquel Dimantas - Flecha Azul / António Neves & Thiaguinho Silva - Das Neves / Letrux - Dorme Com Essa / Os Ritmistas - Sambolero

dub soundscape. The ten-track project was recorded over a year from numerous different sessions, leading it to carry an air of sporadicity to it, with its genre-switching nature leading the band to consider it more of a mixtape than an album. Ebi Soda seeks to surprise and alarm listeners with this project. This bonus edition repress on limited edition yellow vinyl, features unreleased dubs from intergalactic sound dealer Ash Walker, who meets Ebi Soda in the echo chamber.

of Fleet Foxes, Tom Zé, David Byrne, Gal Costa, Devendra Banhart, Shintaro Sakamoto, and more. Mil Coisas Invisíveis is his second solo album, following his 2017 debut Recomeçar. The album was written primarily while touring with his acclaimed tropicalia-indie group O Terno, and heading into 2020, which is when he decided to step back from touring and focus on new songs. What emerged was an album that is generous and intimate- a series of meditations on metaphysical transformation in the face of grave uncertainty. The first single, ‘Nascer Vivier Morrer’ opens the album, tracing the journey of life from birth to death. One of the last songs written for the album, Tim feels that it connects the rest of the songs on the album- ‘I understand how the album looked from the outside and understand how it accentuated this conscious shift in me.’ The song says a lot in a few words, meditating on the magical experience of existence and presence. Joyful and introspective, the song is carried by simple instrumentation and layered vocals that render the song remarkably intimate. "This is a very short song that when I wrote I felt it fit as kind of an opening to the album. The songs in the album have some different vibes between them but I feel that this one connects them in a very synthetic way. Trying to say a lot with few words. About 'just being', about how magical the existence of existence is. About the presence of presence, and presence of absence in life. Like the song says, 'in the rare infinite moment, to live.” Says Tim about ‘Nascer Vivier Morrer’ In support of his forthcoming album, Tim Bernardes will be heading out on a U.S. tour this Summer with Fleet Foxes. "I hope to one day be a tenth as good at singing and making songs as Tim Bernardes is." Robin Pecknold, Fleet Foxes // "A marvel of tuning, dynamics control, refinement, instrumental execution and freedom in the elegance of using the stage" Caetano Veloso // "Tim, at 25, already seems to define his place as the great composer of his generation in new Brazilian music" O Globo // “Bernardes’ voice is truly next level.” Aquarium Drunkard // "A modern-day legend" Alexander Sowinski, Badbadnotgood // Tracks: 1. Nascer,Viver,Morrer 2. Fases 3. BB(GarupadeMotoAmarela) 4. RealmenteLindo 5. Meus26 6. Falta 7. VelhaAmiga 8. Olha 9. EsseAr 10. ÚltimaVez 11. Mistificar 12. ABaladadeTimBernardes 13. BelezaEterna 14. Leve 15. MesmoSeVoceNaoVe

a charming home-made feel to their lopsided gearshifts, jerky movements and quirky surrealism. It's eccentric and off-kilter but pop in a perfect way a la Robert Wyatt and Gruff Rhys.

Edition is mono, all-analog, mastered by Kevin Gray from the original masters, and pressed on 180g vinyl at Optimal.

and dreams, how edges are unfinished and indefinite, unlike the boundaries of a cinema screen. In dreams, forms and details can seem vivid yet vague, impressionistic, powerful yet difficult to recall. These were the qualities and aesthetics that I focussed on with this album, including intertwining musical ‘vignettes’ amongst the more structured tracks.” - Bibio 2LP reissue in printed inners in printed 5mm spine outer with digital download card insert.

Carter Lang, along with Jeff Bhasker, Rob Bisel, Benny Blanco, Kenny “Babyface” Edmonds, Emile Haynie, Rodney “Darkchild” Jerkins, Jay Versace, and more... Includes the smash hit single "Kill Bill". Double x23 trk Black LP Vinyl & single CD formats. Promo & marketing activity across all media outlets.

Third Man in Detroit.

like in Persian music are also there in Toumani’s,” says Kayhan. Kayhan Kalhor, from Iran, is the leading player of the kamancheh, the Persian spike fiddle. He has collaborated with Yo-Yo Ma’s Silk Road Ensemble, Kronos Quartet, Shujaat Khan, Erdal Erzincan, the Rembrandt Trio and many others. Likewise, Toumani Diabaté, from Mali, is the leading player of the West African kora. He’s won three Grammys and recorded with Ballaké Sissoko, Taj Mahal, Ali Farka Touré, Björk and the London Symphony Orchestra. This is Kayhan’s first collaboration with an African musician. The spontaneous recording is both a dialogue and a journey through Kayhan and Toumani’s exceptional improvisational skills. The duo first performed together at the Morgenland Festival in Osnabrück in 2016. A short European tour followed and then this recording was made in Paris. Through this recording, Kayhan and Toumani take us on a musical journey, drawing on the wellsprings of their rich musical cultures in the Persian and Mandé lands. But more than that it’s about musical personalities and two musicians who are free enough to throw themselves into a totally uncharted and unrehearsed performance and come out with something that makes everyone feel better. For fans of World and Classical music, and those with specific interest in African and Middle Eastern music. Double LP features etched Side D.

lancing sleeve.

postpunkers have gone cuckoo and lost it. But fear not - more than a decade in the game and Belgrado still know What They Are Doing. Eight sleek-n-chic numbers that simultaneously burn white hot and ice cold. As with their previous record 'Obraz', Belgrado have taken the Xmal Banshees template and bled out in all directions, stylishly blending a classic post-punk intuition with elements of disco, dub and psychedelia, now with added textures of electronic lushness. Recorded in both Barcelona and singer Patrcyja Proniewska's native Warsaw, 'Intra Apogeum' is testament to a band committed to pushing forward and investigating the new whilst clearly demonstrating they know who they are. Belgrado is back - viva Belgrado!

Rocket From the Crypt down to the gang-shout vocals, and the slower but no-less-compelling grind of "Rodeo in Joliet" (also one of the band's most inspired titles). Denison's guitar playing seemed a touch more focused at points here, the results almost suggesting such post-punk groove monsters as Gang of Four and even the Pop Group. There's a more evident melodic lead role for his work as well, as the just plain great riff that fires up "Mouth Breather" and his near-countryish twang on "Karpis" makes perfectly clear. Yow, meanwhile, steps ever more into his own persona, his lyrics now downright comprehensible and his singing levels a touch less doom- (and bass) heavy, if no less aggrieved. The staggered vocal overdubs on "Monkey Trick" are a standout, especially when Denison suddenly serves up another one of his surprisingly sweet passages as a bed. Other treats on the album include the opening "Here Comes Dudley" -- in context one of the more non-welcoming greetings around -- and the Morricone-tinged freakout of "Lady Shoes," assuming Morricone scored movies about doctors dealing with some freaky female patients. The whole album seems like a party in hell, not to mention demonstrative proof that there's still plenty of fun to be had with a basic rock lineup; it's all in the matter of how it's handled.

anything, it intensifies the brute punch of the music. Denison's freaked-out sheet-metal-abuse approach to guitar playing gets plenty of moments to rip forth; the teeth-grinding squeals of songs like "Blockbuster" and "Rabid Pigs" are hardly easy listening. Yow oddly sounds distanced and mysterious at many points, almost conversational, but more than once he unleashes his ghost-of-Nick Cave breathless howl. Certainly the chorus on "Bloody Mary" will have most checking for bodies or monsters under the bed.

but perhaps most striking is the chorus of female voices that provide back-up on several of the tracks on this 55- minute record. Amore del Tropico manages to propel The Black Heart Procession into a completely new and exciting direction, but without abandoning the inimitable sonic fingerprint that makes them who they are. Gorgeous. Track listing: 1 The End Of Love 2 Tropics Of Love 3 Broken World 4 Why I Stay 5 The Invitation 6 Did You Wonder 7 A Sign On The Road 8 Sympathy Crime 9 The Visitor 10 The Waiter #4 11 A Cry For Love 12 Before The People 13 Only One Way 14 Fingerprints 15 The One Who Has Disappeared

swirls and sways with multiple violin tracks from Sophie and plucked contrebasse from Thierry (his first recording on upright acoustic bass). What initially began as a single long, sparse chamber piece evolved into more fully-orchestrated movements, interspersed with tapes, drones and loops, along with some vocals. Guest musicians include Aidan Girt (GY!BE, Exhaust, 1-Speed Bike), Gordon Krieger (Exhaust) and Sam Shalabi (Land Of Kush). Additional taped fragments are from Efrim’s archives, with contributions from Aidan. The resulting series of plaintive ensemble pieces shivers with intimate sadness. He Has Left Us Alone… is among the most requested records in our catalogue for film projects. The album was dedicated to Efrim’s dog Wanda. Traklisting: "Lonely As The Sound Of Lying On The Ground Of An Airplane Going Down." A(i) Broken Chords Can Sing A Little. A(ii) Sit In The Middle Of Three Galloping Dogs. A(iii) Stumble Then Rise On Some Awkward Morning. A(iv) Movie(Never Made). "The World Is SickSICK;(So Kiss Me Quick)! B(i) 13 Angels Standing Guard 'Round The Side Of Your Bed. B(ii) Long March Rocket Or Doomed Airliner. B(iii) Blown-Out Joy From Heaven's Mercied Hole. B(iv) For Wanda.