



Sub Pop Records
Weyes Blood - And In The Darkness, Hearts Aglow (Clear Vinyl)
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-
"Technological
agitation.
Narcissism
fatigue.
A
galaxy
of
isolation.
These
are
the
new
norms
keeping
Weyes
Blood
(aka
Natalie
Mering)
up
at
night
and
the
themes
at
the
heart
of
her
latest
release,
And
in
the
Darkness,
Hearts
Aglow.
The
celestial-influenced
folk
album
is
her
follow-up
to
the
acclaimed
Titanic
Rising.
(Pitchfork,
NPR,
and
The
Guardian
admiringly
named
it
one
of
2019’s
best.)
While
Titanic
Rising
was
an
observation
of
doom
to
come,
And
in
the
Darkness,
Hearts
Aglow
is
about
being
in
the
thick
of
it:
a
search
for
an
escape
hatch
to
liberate
us
from
algorithms
and
ideological
chaos.
“We’re
in
a
fully
functional
shit
show,”
Mering
says.
“My
heart
is
a
glow
stick
that’s
been
cracked,
lighting
up
my
chest
in
an
explosion
of
earnestness.”
And
in
the
Darkness,
Hearts
Aglow
opens
with
the
wistful,
winsome
“It's
Not
Just
Me,
It's
Everybody,”
a
song
about
the
interconnectivity
of
all
beings,
despite
the
fraying
of
society
around
us.
“I
was
asking
a
lot
of
questions
while
writing
these
songs.
Hyper-isolation
kept
coming
up,”
Mering
says.
“Our
culture
relies
less
and
less
on
people.
Something
is
off,
and
even
though
the
feeling
appears
differently
for
each
individual,
it
is
universal.”
Other
tracks
follow
in
kind.
The
lullaby-like
“Grapevine”
chronicles
the
splintering
of
a
human
connection.
The
otherworldly
dirge
“God
Turn
Me
into
a
Flower”
serves
as
allegory
about
our
collective
hubris.
“The
Worst
Is
Done”
is
an
ominous
warning,
set
against
a
deceivingly
breezy
pop
melody.
“Chaos
is
natural.
But
so
is
negentropy,
or
the
tendency
for
things
to
fall
into
order,”
she
says.
“These
songs
may
not
be
manifestos
or
solutions,
but
I
know
they
shed
light
on
the
meaning
of
our
contemporary
disillusionment.”
Track
listing:
It's
Not
Just
Me,
It's
Everybody
Children
of
the
Empire
Grapevine
God
Turn
Me
Into
a
Flower
Hearts
Aglow
And
in
the
Darkness
Twin
Flame
In
Holy
Flux
The
Worst
Is
Done
A
Given
Thing"
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