Various Artists - Searchlight Moonbeam

on A Colourful Storm in 2022. Searchlight Moonbeam is an autumnal dreamscape, in]mate and vesper]ne, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (wriQen for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisa]ons of self-taught French pianist Delphine Dora. Revela]ons are frequent: the bedsit isola]onism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elas]ca guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude- grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beau]ful, plain]vely dubby ‘Is It You?’ by Slapp Happy; a psych-]nged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats. Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associa]ve, intui]ve, borderless. Emo]onal and mysterious. Endowed with the tac]lity of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons. 2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evoca]ve essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s s]ll-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.