Machine'.

Like Brain Damage Eclipse

It is a pleasure to have his long lost country gospel gem in the world once more.” Will Hodgkinson. "Timeless, poetic depth & unique style like Big Star's ’Third, Bill Fay ’Til the Christ' & John Cale's Paris 1919” Jon ‘Mojo’ Mills. “I watched and wrote and watched. From a hilltop graveyard I watched. And all I did was write and play for the funeral..” Emmett Finley. Imagine songs redolent of prime ‘Doom Trilogy’ Neil Young, Love, Exile On Main Street’s honk via the swagger of Stone Roses (no kidding). Add the crushed biblical ballads of Bill Fay plus mini rock operas and we’re close to describing this ornately crafted but beautifully raw collection. Like Fay, he was a willful studio maverick, a virtuoso who pushed his music as far as it would go and no mind for a career. Both eschew 70’s strings in favour of driven piano, loose skronky guitar. And soul to burn. Emmett knew Hendrix and booked him to play on ‘Sky King’ - a rollicking paean to their competitive friendship. Hendrix vanished to England, but guests who did show included gospel trio The Ellington Sisters. Emmett enthused about their adventurous collaboration including a powerful “Three part harmony on G diminished 7th chords” & lovely snarl on “Gospel’s” finale “Come, come and believe...” giving way to two minutes of vocal musique concrète - and you’re only midway through side one! Lyrically beautiful and haunted, Emmett later described his main influence was ‘the Time’. “In 69, Rock had nothing higher to offer, Woodstock was a peaceful, contained riot. Charles Manson slammed the door of that generation shut!”. It’s dark, it’s emotional, it’s groovy, just a perfect album from a brilliant hooky songwriter and guitarist - with the look & ambition of a rockstar expecting to fly. And then Emmett disappeared from the scene. Forever? A mystery wrapped in an enigma? “I may wind up a thoroughly obscure figure entirely forgotten” Emmett Finley The songs, the beguiling, exquisite arrangements, the ambitious undated production of this soulpiercing album should say otherwise.

athmospheric background music.

in 1973. The latter being released on Reprise Records and features the popular tracks “Fazon”, “Orange Peel” and “Coke, Suede And Waterbeds”. The album takes in elements of FM schmaltz, prog-rock, jazz, showtunes, Krautrock and Indian classical music. The Miraculous Hump Returns From The Moon is available as a limited edition of 750 individually numbered copies on white coloured vinyl, housed in a gatefold sleeve.

generally regarded by music critics as one of the best albums of all time. In 2020 Blue was rated the 3rd greatest album of all time in Rolling Stones “500 Greatest Albums of All Time.” Track List LP 1: Side A All I Want (2021 Remaster) My Old Man (2021 Remaster) Little Green (2021 Remaster) Carey (2021 Remaster) Blue (2021 Remaster) Side B California (2021 Remaster) This Flight Tonight (2021 Remaster) River (2021 Remaster) A Case Of You (2021 Remaster) The Last Time I Saw Richard (2021 Remaster)

'Discreet Music', was initially conceived as a backing loop for fripp to play over at a series of concerts. these concerts took place in Spain, France and England in late May 1975. A short section of one of these concerts provided the basic track for 'Wind on Water' - the opening piece from the second Fripp and Eno album 'Evening Star'. The title track that follows features a Fripp solo that is regarded by fans as one of his most beautiful performances. The short, pretty loop called 'Evensong' and 'Wind on Wind' an extract from 'Discreet Music' formed the remainder of the album's first half. Perhaps more pastoral than truly ambient, and in part indicative of the type of music that Eno would feature on his later 'Music for Films' albums this was a firm step away from the long form pieces that had made up 'No Pussyfooting'. As if to balance the equation, the second side comprised a single piece 'An Index of Metals'. Running to almost 29 minutes it is almost the antithesis of the warm inviting music on the album's first half. over thirty years on from its original recording, the sense of unease conveyed by the piece remains intact.LP - The album's return to the 12" vinyl format is newly cut from masters approved by the artists. Manufactured on 200 gram super-heavyweight vinyl and housed in a reprint of the original sleeve.

FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS will be issued as a limited edition 50th anniversary picture disc, featuring a half-speed master and a replica promotional poster for the album. THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS is the breakthrough album that catapulted David Bowie into the international spotlight. Over the past 50 years it has remained a touchstone record, growing in stature with each passing year. It is now ingrained in popular culture, its undeniable influence spanning musicians from Arcade Fire to Lady Gaga, to Harry Styles’s androgynous fashion sense to Noel Fielding’s shirts on The Great British Bake-Off to Ziggy make-up challenges on Tik-Tok. David Bowie laid to rest the Ziggy Stardust persona in July 1973 at his infamous last show with the Spiders From Mars at London’s Hammersmith Odeon, but Ziggy’s impact reverberates to this day. SIDE ONE Five Years – 4:42 Soul Love – 3:34 Moonage Daydream – 4:40 Starman – 4:10 It Ain’t Easy – 2:58 SIDE TWO Lady Stardust – 3:22 Star – 2:47 Hang On To Yourself – 2:40 Ziggy Stardust – 3:13 Suffragette City – 3:25 Rock ’n’ Roll Suicide - 2.58

as sampled by Kaytranada on ’Lite Spots’ – one of our favourite Brazilian songs of all time. A wonderful album from start to finish, touching on MPB, folk, jazz, funk and rock with strong Tropicalia and Nordestino influences throughout.

and ‘I Got The’, sampled by Eminem, Jay-Z, Wu-tang Clan, Atmosphere, The Beatnuts, and Frankenstein, amongst others. Co-produced by Derek Lawrence and Big Jim Sullivan - a prolific session musician, artist and producer - who also worked with artists such as David Bowie, Serge Gainsbourg (on ‘Histoire De Melody Nelson’) and Frank Zappa. Brian Bennett of The Shadows, Chas Hodges and Dave Peacock aka. Chas ‘n’ Dave also feature on this funk masterpiece from 1975.