70's

depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economical situation mirrors that of the time. The album's iconic cover shows an inflatable pig (now known as Algie) floating between two chimneys of the Battersea Power Station, conceived by Roger Waters, and designed by long-time collaborator Storm Thorgerson of Hipgnosis Studios. For this new release, the artwork has been re-designed for the modern era by Storm’s Hipgnosis partner Aubrey ‘Po’ Powell. Taking new shots of the building as it appeared during the recent conversion work, Po experimented with new angles and produce some striking new takes on the classic original.

Machine'.

generally regarded by music critics as one of the best albums of all time. In 2020 Blue was rated the 3rd greatest album of all time in Rolling Stones “500 Greatest Albums of All Time.” Track List LP 1: Side A All I Want (2021 Remaster) My Old Man (2021 Remaster) Little Green (2021 Remaster) Carey (2021 Remaster) Blue (2021 Remaster) Side B California (2021 Remaster) This Flight Tonight (2021 Remaster) River (2021 Remaster) A Case Of You (2021 Remaster) The Last Time I Saw Richard (2021 Remaster)

by T.I., Kanye, and Khalid, Barrett created a rapturous, crossover gospel classic that's still wildly relevant. Tracklist Like a Ship Wonderful It's Me O Lord Ever Since Nobody Knows Joyful Noise Medley Blessed Quietness

analog, non-EQ’d, tape copy. Side One Black Cow Aja Deacon Blues Side Two Peg Home At Last I Got The News Josie

Zax came across a copy of the master tape while going through the massive Rod McKuen archive. So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort’s many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole. Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world. TRACKLISTING 1 Zoos of The World 2 The Big Game Hunters See the Cheetah 3 Western Dragon (Pt 3) 4 Western Dragon (Pt 2) 5 Moon Journey 6 Music for Advertising #6 7 Black Eye (Main Theme) 8 Western Dragon (Pt 1) 9 Music for Advertising #7 10 Captain DJ Disco UFO (Pt II) 11 Three TV IDs 12 Music for Advertising #8 13 Love is a Garden 14 The D-Bee's Cat Boogie 15 Black Eye (End Credits)

It is a pleasure to have his long lost country gospel gem in the world once more.” Will Hodgkinson. "Timeless, poetic depth & unique style like Big Star's ’Third, Bill Fay ’Til the Christ' & John Cale's Paris 1919” Jon ‘Mojo’ Mills. “I watched and wrote and watched. From a hilltop graveyard I watched. And all I did was write and play for the funeral..” Emmett Finley. Imagine songs redolent of prime ‘Doom Trilogy’ Neil Young, Love, Exile On Main Street’s honk via the swagger of Stone Roses (no kidding). Add the crushed biblical ballads of Bill Fay plus mini rock operas and we’re close to describing this ornately crafted but beautifully raw collection. Like Fay, he was a willful studio maverick, a virtuoso who pushed his music as far as it would go and no mind for a career. Both eschew 70’s strings in favour of driven piano, loose skronky guitar. And soul to burn. Emmett knew Hendrix and booked him to play on ‘Sky King’ - a rollicking paean to their competitive friendship. Hendrix vanished to England, but guests who did show included gospel trio The Ellington Sisters. Emmett enthused about their adventurous collaboration including a powerful “Three part harmony on G diminished 7th chords” & lovely snarl on “Gospel’s” finale “Come, come and believe...” giving way to two minutes of vocal musique concrète - and you’re only midway through side one! Lyrically beautiful and haunted, Emmett later described his main influence was ‘the Time’. “In 69, Rock had nothing higher to offer, Woodstock was a peaceful, contained riot. Charles Manson slammed the door of that generation shut!”. It’s dark, it’s emotional, it’s groovy, just a perfect album from a brilliant hooky songwriter and guitarist - with the look & ambition of a rockstar expecting to fly. And then Emmett disappeared from the scene. Forever? A mystery wrapped in an enigma? “I may wind up a thoroughly obscure figure entirely forgotten” Emmett Finley The songs, the beguiling, exquisite arrangements, the ambitious undated production of this soulpiercing album should say otherwise.

'Discreet Music', was initially conceived as a backing loop for fripp to play over at a series of concerts. these concerts took place in Spain, France and England in late May 1975. A short section of one of these concerts provided the basic track for 'Wind on Water' - the opening piece from the second Fripp and Eno album 'Evening Star'. The title track that follows features a Fripp solo that is regarded by fans as one of his most beautiful performances. The short, pretty loop called 'Evensong' and 'Wind on Wind' an extract from 'Discreet Music' formed the remainder of the album's first half. Perhaps more pastoral than truly ambient, and in part indicative of the type of music that Eno would feature on his later 'Music for Films' albums this was a firm step away from the long form pieces that had made up 'No Pussyfooting'. As if to balance the equation, the second side comprised a single piece 'An Index of Metals'. Running to almost 29 minutes it is almost the antithesis of the warm inviting music on the album's first half. over thirty years on from its original recording, the sense of unease conveyed by the piece remains intact.LP - The album's return to the 12" vinyl format is newly cut from masters approved by the artists. Manufactured on 200 gram super-heavyweight vinyl and housed in a reprint of the original sleeve.

Ignace de Souza, the LP was recorded in Benin at the Satel Studio in Cotonou. Although Leon didn't make many solo recordings, his songs continue to inspire the reverence of anyone fortunate enough to have heard them. In recent years the song "Dalaka" was rediscovered by Barranquilla's sound system operator Carlos Estrada and became an unexpected hit on the caribbean coast of Colombia. Twelve years after the release of the criticallyacclaimed Bambara Mystic Soul compilation, this new compilation takes another deep-dive into Mandingue culture with fve rare sides recorded during Leon Keita's fabled late 70s sessions. The LP, pressed on 180g virgin vinyl and housed in a beautiful jacket screenprinted in Greece, is limited to 2000 copies worldwide.

on the original LP released by RCA in 1970 and reissued on vinyl only by South Korean label Beatball can finally benefit from a meticulous restoration from the original master tapes, thanks to the involvement of Piccioni’s family. It’s exactly like buying a copy in 1970 without any compression and digital artifacts. Side A Colpo Rovente, Kintabu’, Identikit, LSD (red hot), Eros, Fuoco Side B Easy Dreamer, China Town Drugs , Colpo Rovente (red hot) , Mexican Dream, Acapulco, Colpo Rovente.

back home they were largely ignored and soon forgotten by a music business beset by prejudice against homegrown black talent. Cymande split in 1975 after releasing three albums in quick succession, but their music lived on as successive generations of artists and fans found and embraced their songs. Their far-reaching influence can be heard in the countless samples taken from their music over the last four decades, from pioneering DJs like DJ Kool Herc and Grandmaster Flash, to De La Soul, The Wu-Tang Clan, Gang Starr, EPMD, Sugar Hill Gang, Fatboy Slim, and The Fugees -- to name a few. They stand today as one of the most revered and sampled bands in the history of Hip Hop, House, and Dance. On Dec 16th, Partisan Records will reissue Cymande’s seminal debut, newly remastered at Abbey Road Studios and available for the very first time on translucent, orange crush vinyl. Cymande features several of the band’s best known - and oft-sampled - classics like “Dove,” “The Message” and more.

to pass. The film was abandoned before it could be completed, and the ashes of Galileo’s final work were swept aside and forgotten. Until today. Eraserhood Sound is proud to present Ribelle Di Mare in all its glory, produced and performed by house band Fantasy 15 in their signature “Synth & Soul” sound. Enjoy the nine stunning tracks that follow, which range in style from dramatic Philly Soul balladry, Spaghetti Western r&b, and Italian library funk. A1 Ribelle Di Mare A2 Ballatta Di Mercuri A3 Cliffdiver A4 De La Isla A5 Fantasma Di Rosalia B1 Smoke & Mirrors B2 Limit Your Exposure B3 Fantasma Di Rosalia Pt. 2 B4 Two Weeks

in 1973. The latter being released on Reprise Records and features the popular tracks “Fazon”, “Orange Peel” and “Coke, Suede And Waterbeds”. The album takes in elements of FM schmaltz, prog-rock, jazz, showtunes, Krautrock and Indian classical music. The Miraculous Hump Returns From The Moon is available as a limited edition of 750 individually numbered copies on white coloured vinyl, housed in a gatefold sleeve.

by funk. The temperature and tempo are raised with the bouncing sophisticated funk of "Meteor One", a slinky interstellar instrumental of the highest order before the sultry, melodic "Bass For Love" offers some attractive slow-mo sleaze to close out the first side. Opening up Side B, the menacing, beatless "Space Alert" sounds like all those sci-fi theme tunes from your childhood, synthesised into one glorious (black) whole. "Galaxy Wars" is next, another majestic cosmic gem, sans drums. The ultra-percussive flex of "All The Bass" sees the return of the frenetic funky bass and neck- snapping drums. The stretched out funk of "O.V.N.I. Telex" is irresistible and cavernous in scope whilst the swirling, dramatic "Galactics" is an ominous yet melodic wonder. The throwaway funk-lite "Animals Bass" is a bit of a daft way to close out this otherwise flawless set but, hey, flirting with perfection is probably always more fun than actually achieving it. Sauveur Mallia is a crucial figure in the history of electronic and dance music and a hugely underrated French library bass player and composer from the Arpadys / Voyage crew. This is just the beginning of Be With's Mallia - Tele Music reissue campaign! The audio for Spatial & Co Vol. 1 has been remastered by Be With regular Simon Francis, ensuring the punch of Sauveur's bass and those sick drums come through to the fullest. Pete Norman’s expert skills has made sure nothing is lost in the cut whilst the original and iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. Tracklist: A1 Future Vision (3:47A2 Cosmic News (2:25) A3 Baby Bass (2:43) A4 Star Odyssey (3:33) A5 Meteor One (2:11) A6 Bass For Love (2:46) B1 Space Alert (3:24) B2 Galaxy Wars (2:45) B3 All The Bass (2:53) B4 O.V.N.I. Telex (3:36) B5 Galactics (2:50) B6 Animals Bass (2:14)

opener "Discomax" is starts as pure piano-disco brilliance with a bassline to die for before heading off into wigged out territory, all acidic squelches and jaw-dropping percussive breakdowns. Perfection. "Space People" follows, an eerie, half-beatless sci-fi synth workout played out against a hauntingly metronomic pulse for the first half - proper slow-mo space disco business - before the beat kicks in, the electric guitar solo wails beautifully and the bassline that emerges at its conclusion rides in on some other shit. Closing out the A-Side, the six minute long "Bass Power" is, unsurprisingly, a deep, low-end roller with head- nod drums, whizzing synths, blissed out ambient vibes and Mallia's otherworldly bass playing super high in the mix. It's white hot funk, make no mistake, and it sounds like a re-geared library version of Roxy Music. Yes, *that* good. Side B is laced firstly by "Holidays Morning", an emotional disco-pop groover, all electric guitars, skipping drums and synthy bleeps with more than a few moments of pure driving funk. One for the deep heads, longtime favourite "Electric Maneges" follows, a bleepy, haunted dancehall gem, uncut tropical balearic-funk from another dimension. The sophisticated digi-soul of "Loving Discovery" comes on like a weird, interplanetary Sade instrumental, all swelling synths, warm keys and syrupy guitar rhythms. Hearing is believing. Arguably saving the best til last, the fierce, proto-techno of "Exotic Guide" closes out this extraordinary set. The intro genuinely sounds like Detroit would a good few years later - just wild - before it glides into a driving percussive funk break complete with both stabbing, insistent synths and those of a more winding, laconic variety. The one complaint? It's over far too soon. Remarkable. Sauveur Mallia is a crucial figure in the history of electronic and dance music and a hugely underrated French library bass player and composer from the Arpadys / Voyage crew. This is just the beginning of Be With's Mallia - Tele Music reissue campaign! The audio for Spatial & Co Vol. 2 has been remastered by Be With regular Simon Francis, ensuring the punch of Sauveur's bass and those sick drums come through to the fullest. Pete Norman’s expert skills has made sure nothing is lost in the cut whilst the original and iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. Tracklist: A1 Discomax (4:40) A2 Space People (4:40) A3 Bass Power (6:00) B1 Holidays Morning (5:20) B2 Electric Maneges (4:10) B3 Loving Discovery (3:40) B4 Exotic Guide (3:30)