top of their game. Produced by James Ford and recorded at Studio 13, London and Devon, The Ballad of Darren is the band’s ninth studio album, their first since the chart-topping The Magic Whip in 2015, with artwork featuring an image by British photographer Martin Parr. The band are about to kick off a summer of highly-anticipated live shows which will see blur performing in front of 2 million fans this year, with 2 nights at Wembley Stadium on July 7th and 8th.

the first year the category was recognized by the Academy of Television Arts & Sciences). The compilation album is produced by The Duffer Brothers and 2x Grammy nominee Timothy J. Smith. "Stranger Things 4" is scheduled to be released worldwide exclusively via Netflix's streaming service in two volumes, with the first set for May 27, 2022, and the second five weeks later on July 1, 2022. The fourth season will have nine episodes and has continued to be produced by the show's creators the Duffer Brothers, along with Shawn Levy, Dan Cohen, and Iain Paterson. Track Listing Separate Ways (Worlds Apart) (Bryce Miller/Alloy Tracks Remix) - Journey California Dreamin' - The Beach Boys Psycho Killer - Talking Heads Running Up That Hill (A Deal with God) - Kate Bush You Spin Me Round (Like a Record) - Dead or Alive Chica Mejicanita - Mae Arnette Play With Me - Extreme Detroit Rock City (Single Version) - KISS I Was A Teenage Werewolf - The Cramps Pass The Dutchie - Musical Youth Wipe Out - The Surfaris Object Of My Desire (Single Version) - Starpoint Rock Me Amadeus (The Gold Mix) - Falco Travelin' Man - Ricky Nelson Tarzan Boy - Baltimora Dream A Little Dream Of Me - Ella Fitzgerald & Louis Armstrong Rock and Roll, Hoochie Koo (Single Version) - Rick Derringer Fire and Rain - James Taylor Spellbound - Siouxsie And The Banshees Master of Puppets - Metallica When It's Cold I'd Like To Die (featuring Mimi Goese) - Moby Separate Ways (Worlds Apart) (Steve Perry & Bryce Miller Extended Remix) - Journey

the prolific artist's 2021 albums Chemtrails Over The Country Club and Blue Banisters. Limited edition Indies exclusive includes alternative artwork and heavyweight light green

Body Paint SIDE B 6. The Car 7. Big Ideas 8. Hello You 9. Mr Schwartz 10. Perfect Sense

with sweeping orchestral arrangements – reminiscent of a cinematic soundtrack from a 60s European film. The Changing Light evokes strong imagery of an open road, a breathtaking view, and scenes of a vast landscape begging to be explored. Cruise up the coast, where sweeping orchestral arrangements rise and fall with the tide. As you head North, the countryside opens to an undeniable groove. Tremolo-soaked guitar tones grow on the vines, and timeless, soulful bass lines flow like wine. In higher altitudes, French horns and trumpets soar like eagles. A river below carries bellowing cello tones through a mountain pass into an expansive canyon. Down in the desert, fuzzed-out electric guitar cuts through the dry heat and leaves the listener thirsty for more. Plot a course, or just turn on the car and drive. Max recommends the latter. "The songs are inspired by landscapes - Each one could mean something to someone and create a completely different meaning for someone else." At the end of a long road, The Ironsides have found the perfect place to begin. Also Available From The Ironsides: Changing Light 7", The Raven / Song For Adrian 7". Tracks: 1. Changing Light 2. The Web 3. Ligurian Dream 4. A Return From Ashes 5. Shades of Silver 6. Violet Vanished 7. Hold It One More Time 8. West Wind

Rev' is in your hands and ears from October 7th. Tracklist 01 Pharmacist02 Easy on Your Own?03 After the Earthquake04 Tom Verlaine05 Pressed06 Many Mirrors07 Very Online Guy08 Velveteen09 Tile by Tile10 Pomeranian Spinster11 Belinda Says12 Bored in Bristol13 Lottery Noises14 Fourth Figure

/ Dora Morelenbaum - Vento de Beirada / Cadu Tenório & Juçara Marçal - Candombe - La Cacundê Iauê / Jonas Sa - Gigolô / Troá - Bandeide / Marcelo Callado - Simbora (feat. Silvia Machete) / Ovo Ou Bicho - Moços / Lê Almeida - Apreço Antigo / Vovô Bebê - Briga de Família (feat. Ana Frango) / Joana Queiroz - Dois Litorais / Raquel Dimantas - Flecha Azul / António Neves & Thiaguinho Silva - Das Neves / Letrux - Dorme Com Essa / Os Ritmistas - Sambolero

Steve, who has created a series of original savage yet satirical artworks for the collaboration. This is his debut music video and debut animation having previously illustrated covers for Time Magazine & The New Statesman. Truly the sound of now, not only in terms of the ideas and issues Jason Williamson's strong words invoke, but also thanks to the innovative and immersive production of Andrew Fearn, which on this release has seen the pair collaborate on songs with Jane's Addiction's creative powerhouse, Perry Farrell and Dave Navarro, and with Florence Shaw, the distinct and vital voice at the heart of British band Dry Cleaning. Speaking of the forces that have triggered the poetic protest at the heart of this record, as with their musical forebears like The Clash or The Jam, Sleaford Mods reveal that the outrage they feel is underscored by love for the people and places around them, making ‘UK GRIM’ as much a celebration of individuals and the idealists as it is an attack on ruling classes who pursue their own self-serving agendas with increasing desperation. “Maybe we are proud of the country. Maybe we are proud to be English,” explains Williamson. “Maybe I’m proud of the horrible grey streets and the shit weather and the stupid fashions I find myself investing in. It’s just that the English we’re proud of being is absolutely nothing like the English the authorities want to try and promote.” Angry yet artful, innovative yet possessing an instinctual energy that irresistibly moves bodies and minds, ‘UK GRIM’ is an erudite electronic vision that truly engages with times that have been anything but 'precedented'. Tracklisting: UK GRIM D.I.Why Force 10 From Navarone – Ft. Florence Shaw Tilldipper On The Ground Right Wing Beast Smash Each Other Up Don So Trendy – Ft. Perry Farrell & Dave Navarro I Claudius Pit 2 Pit Apart From You Tory Kong Rhythms Of Class

more than 220 minutes of remixes, FINALLY ENOUGH LOVE: THE RAINBOW EDITION flows in mostly chronological order. It showcases the many musical reinventions that made Madonna an international icon, from 1983’s “Holiday” to 2019’s “I Don’t Search I Find,” with remixes by some of the biggest and most influential DJs of all time, including Peter Rauhofer, William Orbit, Honey Dijon, and Avicii. Madonna is the first and only recording artist to have 50 #1 hits on any single Billboard chart. To celebrate this historic milestone, Madonna curated a 50-track collection titled FINALLY ENOUGH LOVE: 50 NUMBER ONES which includes her favourite remixes of those chart-topping dance hits that have filled clubs worldwide for four decades as well as an abridged 16-track version, titled FINALLY ENOUGH LOVE.

at The Royal Air Force Museum in Hendon) and the poetry of Pound, Thomas, and Keats. Backed by a full live band, Heartworms’ performances are a masterclass in poise. Jojo describes the theatre brought to her shows - punctuated by her intense stare - as a kick back against preconceived notions of ‘smallness’ and fragility as a female musician. On stage, her projection is the very antithesis: we see an artist who is big, powerful, in total control. Uniformity plays a huge role in all things Heartworms, too. The metronomic music and meticulous fashion of bands like Interpol and Kraftwerk greatly inspires Jojo, as does PJ Harvey, whose dark sense of humour and lyrical dexterity permeates Heartworms’ songwriting.

Lendas features do Nascimento’s compositions, this time with orchestral arrangements by Vittor Santos and also special participation by Arthur Verocai. Vittor Santos is a composer, arranger, trombonist and music producer from Rio de Janeiro, who has worked in Brazilian music for over thirty years. Do Nascimento and Santos met in Rio in 2017 during the recording of Do Nascimento’s hero, and 70s and 80s Brasilian guitar catalyst Carioca Freitas album Aquarelas. The two bonded over a mutual appreciation for Do Nascimento’s uncle Lúcio and the Bossa Nova star Leny Andrade, both of whom largely influenced Do Nascimento’s musical foundation. In Santos, Do Nascimento found an arranger who was sensitive enough in his orchestrations that he could create an orchestral dialogue between stacks of strings and Do Nascimento’s plaintive plucking. It was only natural to invite the highest regarded, now legendary, 1970s Brasilian arranger, Arthur Verocai, to contribute. Verocai, who had worked with Do Nascimento on his forays in Los Angeles, was pleased to participate. In this way, the circle of old and new, so crucial in Do Nascimento’s work, comes together and flows outwards. “Lendas” translates from Portuguese as "legends,” but the literal translation itself doesn’t describe this album. With Lendas, Do Nascimento recalls memories from places that no longer exist; from fever dreams in the Amazon; from parts of the world we might never see or engage, but can imagine through music. A1 Retratos A2 Fonte A3 Palacio A4 Rio B1 Solo As Onze (Noite Suite) B2 Mae De Luz B3 Sonho B4 Mirante

the newly-expanded Finn comes with an entire album The Finn Demos, which gathers together ten songs from 1989’s legendary Murchison St sessions, remastered by Miles Showell at Abbey Road Studios. Convening at Neil’s new Melbourne apartment with a view to making an album together, Tim and Neil embarked on an intensely productive period, writing several songs that would briefly result in Tim joining Crowded House for the resulting Woodface album. Assisted by the late Paul Hester on drums, the demos capture a host of songs that would go on to be played in arenas around the world in their newborn state: ‘It’s Only Natural’, ‘Catherine Wheels’, ‘Weather With You’, featuring a whole extra verse and the previously unreleased ‘Four Stepping in 3/4 Time’. For this release, long-time fan and collaborator on Neil’s 7 Worlds Collide project, Ed O’Brien (Radiohead) contributed liner notes, hymning the album’s “heavy” beauty and its “elemental energy.” Featuring brand new artwork designed by Needle Mythology’s James Gosling, the expanded Finn features newly-unearthed images of Tim and Neil taken by Darryl Ward during the sessions for the album. For this release, Tim and Neil have also shared the “listening notes” submitted by the brothers’ parents – something they would do for every song their sons wrote. For Finn, Tim and Neil enlisted the services of Tchad Blake, whose “feel”-based approach brought out the best in the brothers, who played every instrument on the record. Writing about the record for Mojo at the time, David Hepworth characterised Finn as a “warm and loose record” that hardcore fans would undoubtedly “adore”. Originally released on Parlophone Records, Finn spawned an unlikely top 30 hit, the mesmerising semi-improvised psych-rock fan favourite ‘Suffer Never’. The expanded double album edition of Finn has been cut at Abbey Road by Miles Showell and pressed on 180g vinyl at The Vinyl Factory.

around the world. Greta Van Fleet’s debut LP, Anthem of the Peaceful Army was released in 2018 to countless accolades including #1 Billboard Rock Album and Top 3 on the Billboard 200. Their From The Fires EP, released in 2017, won Best Rock Album at the 61st Grammy Awards. Forming in Frankenmuth, Michigan in 2012, Greta Van Fleet consists of three brothers—vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka—as well as drummer Danny Wagner. Together they have performed across multiple continents and sold over 3.5 million records worldwide. Side 1 1. Fate Of The Faithful 2. Waited All Your Life 3. The Falling Sky 4. Sacred The Thread 5. Runway Blues Side 2 1. The Indigo Streak 2. Frozen Light 3. The Archer 4. Meeting The Master 5. Farewell For Now

of Fleet Foxes, Tom Zé, David Byrne, Gal Costa, Devendra Banhart, Shintaro Sakamoto, and more. Mil Coisas Invisíveis is his second solo album, following his 2017 debut Recomeçar. The album was written primarily while touring with his acclaimed tropicalia-indie group O Terno, and heading into 2020, which is when he decided to step back from touring and focus on new songs. What emerged was an album that is generous and intimate- a series of meditations on metaphysical transformation in the face of grave uncertainty. The first single, ‘Nascer Vivier Morrer’ opens the album, tracing the journey of life from birth to death. One of the last songs written for the album, Tim feels that it connects the rest of the songs on the album- ‘I understand how the album looked from the outside and understand how it accentuated this conscious shift in me.’ The song says a lot in a few words, meditating on the magical experience of existence and presence. Joyful and introspective, the song is carried by simple instrumentation and layered vocals that render the song remarkably intimate. "This is a very short song that when I wrote I felt it fit as kind of an opening to the album. The songs in the album have some different vibes between them but I feel that this one connects them in a very synthetic way. Trying to say a lot with few words. About 'just being', about how magical the existence of existence is. About the presence of presence, and presence of absence in life. Like the song says, 'in the rare infinite moment, to live.” Says Tim about ‘Nascer Vivier Morrer’ In support of his forthcoming album, Tim Bernardes will be heading out on a U.S. tour this Summer with Fleet Foxes. "I hope to one day be a tenth as good at singing and making songs as Tim Bernardes is." Robin Pecknold, Fleet Foxes // "A marvel of tuning, dynamics control, refinement, instrumental execution and freedom in the elegance of using the stage" Caetano Veloso // "Tim, at 25, already seems to define his place as the great composer of his generation in new Brazilian music" O Globo // “Bernardes’ voice is truly next level.” Aquarium Drunkard // "A modern-day legend" Alexander Sowinski, Badbadnotgood // Tracks: 1. Nascer,Viver,Morrer 2. Fases 3. BB(GarupadeMotoAmarela) 4. RealmenteLindo 5. Meus26 6. Falta 7. VelhaAmiga 8. Olha 9. EsseAr 10. ÚltimaVez 11. Mistificar 12. ABaladadeTimBernardes 13. BelezaEterna 14. Leve 15. MesmoSeVoceNaoVe

with one Laetitia Sadier who, by virtue of her singer-songwriter career both as a solo artist and as part of the Stereolab ‘groop’, happens to be one of the key figures of her bandmates’ musical formation.

The Slow ReadersClub hit the studio in early 2022 with producer Joe Cross (Hurts/Courteeners), they battled dark times with a refreshing optimism. The result is ‘Knowledge Freedom Power’ , a sizzling synth-rock beast of a record akin to White Lies, Muse and modern-day Bloc Party, and a rallying cry of emancipation, both stylistically and socially. It’s a righteous punch of the air, a surge towards the future.Frontman Aaron Starkie says, “The world had got so bleak it felt a little indulgent to paint apocalyptic pictures when they were out in the real world. I thought people would probably want to hear more uplifting things, it was my intention to be a bit more positive. There’s still a lot of melodrama in there and it’s still dystopian in places but there’s more positive shades in this record.”

bunch of furniture, a vivid explosion of framed artwork charting a unique and particular journey through the history of music, multiple stacks of records, a bulging fridge and an overworked stereo, the Heavenly office has ended up becoming less a someplace and almost a someone. The spirit of the office is a restless beast, yet it’s been loyal enough to have faithfully moved (almost) every time the label has relocated. And it’s a spirit that’s been emboldened whenever it has been based in Soho. Whatever the ley lines are that run under that square mile of central London, they seem to electrify the Heavenly office like a National Grid of vibes and volume; strange attractors to the ghosts of Soho’s rock’n’rollers, ravers, reprobates and roués alike who add a spectral joie de vivre to proceedings. While the Heavenly office itself might be notorious, it’s the music that fills it up in the after hours that truly gives the place life. While the open door has long offered something akin to a welcoming hug for both regular and first time visitors, it’s the always cranked up sound system that’s the equivalent of a mate leaning into you, guiding you through the peaks and troughs of the music. “Hang on, this next one’s amazing… listen to this bit… what do you mean you haven’t heard this version? Turn it up!” As with any good party, the office soundtrack evolves track by track like selections from an overheating rebellious jukebox. Any average Monday night (the weekend always starts on Monday, right?) might take in music from the label’s artists that’s just pinged the inbox, freshly minted demos that have piqued curiosity, dusty old 7s by long gone heroes or white label 12s with minimal info scratched onto them in felt tip pen. And playing between those tracks, a bunch of secret sounds from the Heavenly vaults; remixes that write a rich, alternate history of Heavenly Recordings. Since the first Heavenly recording, there have been striking remixes that reframe the original track. These remakes offer a parallel reading of the last four decades of releases; they take the music to places where genres can be pulled inside out before being reassembled for different dancefloors, or for a different state of mind. It’s a selection of those secret sounds that make up the latest in this series of flawless compilations. Each presents a parallel reading of the Heavenly Recordings story, a version that’s best heard as the light fades and the furniture gets shoved to one side of the room in decent work places the world over.

bunch of furniture, a vivid explosion of framed artwork charting a unique and particular journey through the history of music, multiple stacks of records, a bulging fridge and an overworked stereo, the Heavenly office has ended up becoming less a someplace and almost a someone. The spirit of the office is a restless beast, yet it’s been loyal enough to have faithfully moved (almost) every time the label has relocated. And it’s a spirit that’s been emboldened whenever it has been based in Soho. Whatever the ley lines are that run under that square mile of central London, they seem to electrify the Heavenly office like a National Grid of vibes and volume; strange attractors to the ghosts of Soho’s rock’n’rollers, ravers, reprobates and roués alike who add a spectral joie de vivre to proceedings. While the Heavenly office itself might be notorious, it’s the music that fills it up in the after hours that truly gives the place life. While the open door has long offered something akin to a welcoming hug for both regular and first time visitors, it’s the always cranked up sound system that’s the equivalent of a mate leaning into you, guiding you through the peaks and troughs of the music. “Hang on, this next one’s amazing… listen to this bit… what do you mean you haven’t heard this version? Turn it up!” As with any good party, the office soundtrack evolves track by track like selections from an overheating rebellious jukebox. Any average Monday night (the weekend always starts on Monday, right?) might take in music from the label’s artists that’s just pinged the inbox, freshly minted demos that have piqued curiosity, dusty old 7s by long gone heroes or white label 12s with minimal info scratched onto