is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt. We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt. We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

spark a movement, inspiring the creation of similar events across the globe and a burgeoning psych scene that would soon ignite. The series captures key moments in psychedelic rock history, and live music in Austin, Texas. The artists and sets showcased on Live at Levitation have been chosen from over a decade of recordings at the world-renowned event, and document key artists in the scene performing for a crowd of their peers and fans who gather at Levitation annually from all over the world. When it comes to following the beat of their own drum, New York’s Psychic Ills have exemplified the phrase since their beginnings in 2003. Initially spawned from electronic- centered home recording experiments, they progressed into all-night full-band exploration in a neighborhood where noise wasn’t a problem. They soon after evolved into a live band seemingly at home within the extended jam, exploring a variety of musical terrain. The early years saw several releases for Social Registry, tons of time on the road, and collaborations with artists as diverse as Gibby Haynes (Butthole Surfers) and Sonic Boom (Spacemen Three/Spectrum). We are proud to welcome Psychic Ills to the Live at Levitation series. The release showcases the band's appearance at Austin Psych Fest 2012. Mixed and Mastered for Vinyl. 1) Midnight Moon 2) Mind Daze 3) Incense Head 4) Ring Finger 5) Electric Life 6) Meta 7) Diamond City 8) January Rain 9) I’ll Follow You Through The Floor Tracklist DISC 1 SIDE A 1. Midnight Moon 2. Mind Daze 3. Incense Head 4. Ring Finger 5. Electriclife SIDE B 1. Meta 2. Diamond City 3. January Rain 4. I'll Follow You Through The Floor

and guitars make a frenetic comeback by way of disco-house, ending with a nod to 70s cop movie funk. For fans of: Julien Dyne, Surprise Chef, 30/70, Ezra Collective, Jitwam, Makaya McCraven, Lord Echo, Fat Freddy's Drop, Zeitgeist Freedom Energy Exchange. Tracks: 1. Doin' It 2. Step 2 3. Work Work Work 4. Super (Kiki) 5. Chase Scene Part 1

in 1977, where Cameron teamed up with Harvey Faqua, Greg Crockett and Elgie Stover to realise what is arguably his fnest work. A full album was recorded, but only two tracks saw the light of day, via the short-lived UK label, Flamingo. Soundway presents a four track EP, comprised of the two in- demand cuts previously released on Flamingo - the deep and dubby disco-workout If I Love You (Instrumental) and soul drenched ballad Live For Love, coupled with two unreleased recordings rescued from the abyss after 45 years of collecting dust. The modern- soul- dancer Thank You Baby, backed by Jeanie Tracy and Martha Walsh, is a jewel that displays Cameron's full range whilst the vocal to I Love You elevates the recording to dancefloor ready and joins the dots that never existed. Tracks: 1. If I Love You 2. If I Love You (Instrumental) 3. Thank You Baby 4. Live For Love

final burst of shows and later part of their highly sought after Recollected box set. Until now the standalone album has been impossible to find even on CD and has never been issued on vinyl. In the sleeve notes to the Recollected set, the band describe the album as ‘something made in a hurry in order to have something to sell on the road’ but “The Hood Tapes” is a lot more than that. It contains all new music that seems to straddle their career from scratchy experimental New Zealand weirdo lo-fi to the stuttery and staccato r&b influenced pop they sprinkled over that last Outside Closer missive. “The Hood Tapes” could also be seen as a s eries of sketches of potential future musical avenues open to the band who eventually instead chose to remain silent and although key band members still operate under such names as Bracken, The Declining Winter and A New Line (Related), there has never been any further work issued under the Hood umbrella. “The Hood Tapes” therefore is an overlooked key component to their storied history and this essential release brings it in line with their more well-known work. Tracklist A1 The Hurting World A2 Greydayer A3 When We'll Wait All The Tables A4 Driven Out By The Angry Villager A5 Loss And L.E.D. A6 Names For Rain B1 But I Was Only A Bystander B2 This Year's First Storm B3 Winter Politics B4 Sad Neck? B5 None Of The Above B6 Leave Like The Ghost You Are.

Berlin-based Greek harpist Sissi Rada (co-produced by Brian Eno), the krautrock collective Spiritczualic Enhancement Centerr, experimental drummer Niklas Wandt and jazz/neo-classical genre stepper Ralph Heidel - it is now time for jazz ravers Zeitgeist Freedom Energy Exchange to take the centre stage. The band around Melbourne born drummer and producer Ziggy Zeitgeist has been based in London for some time before moving to Berlin a few years ago. By now Ziggy and his crew have a big following in Berlin where the new jazz and soul-influenced dance scene is growing rapidly with many new spaces, clubs and radio stations. Their recent album 'Prayer For Peace' was album of the week on Gilles Peterson's Worldwide FM and saw Ziggy in the guestmix at BBC 6 Music. A1. City And Stars A2. Warp Speed A3. Intergalactic A4. Languages Of Pao B1. Space-Love Continuum B2. Technocracy B3. Cybernetic B4. We've Made Contact Zeitgeist Freedom Energy Exchange is a collective that bring together UK jazz funk vibes that have been made popular by Kamaal Williams, Shabaka Hutchings and Ezra Collective amongst others with the energy of Berlin's electronic DJ music. In fact, head of the collective Ziggy Zeitgeist is a big fan of DJ tools which equally have a big influence on his music. His aim is to create a mix of jazz and tribalistic, electronic energies to create jazz raves that reflect a fresh modern touch of what could be a sound for the next years. Of course many elements of their songs come from the 1970ies - the chord progressions, the fusion keyboard solos, the driving rhythms. But the general sound of the music and its straight electrifying energy create a new and unique futuristic sound. 'Sci-Fi Jazz Directions' was recorded by the original trio of Ziggy Zeitgeist, Matthew Hayes and Lewis Moody. After spending thousands of hours together making music on stage and in the woodshed, this album represents a turning point for the group and quite possibly the very nature of creative collaboration. This is an album of tunes crafted over 'online jam sessions', as the trio were split between three corners of the world during 2020. Ziggy explains: "Our blessing and our curse is that we're adaptive creatures, we find a way, we adapt to the circumstance, and so as artists and as improvisers we found ways to connect and create in a virtual space." The trio continue to hone their unique brand of dance-floor focused 'jazzrave'. They are mainly live musicians and they love to play at parties. They've been playing underground dance jam in abandoned basements of London, Berlin, and Melbourne for years. This album epitomises the Zeitgeist of the time, the crucial meeting point of our organic selves with our technology.

change and allowing love in. Imaginations dreams big, recasting storming, stadium-sized pop into t h e i n t e r n a l l a n g u a g e o f t h e s o l o a u t e u r . Im a g i n a t io n s i s n o t e s c a p i s m , i t ’s a k a l e i d o s c o p e a n d a n a l te r n a t i v e view, an agent of change. Opener Tender Surrender encapsulates Imaginations, a tango on the ruins of t h e p a s t , l i k e m a n y o f N i l s s o n ’s best songs a collision between the political and personal. Though potentially a love song, there’s a glowing anger i n t h e l i n e s “I w a n t y o u r r u i n , I w a n t d e s t r u c t i o n , I w o n ’t b e t h r o u g h u n t i l w e m e n d t h i s ... ” t h i s i s r ap t u r ous transformation, order and chaos. Molly has built an almost 10 year career on perfectly summing up how we feel and this is no different... W ho else could write a song about privilege (Let’s Talk About Privileges) and make a heart-r endi ng c hor us of “It ’s never being afraid of the police, it’s expecting every thank you, every please.” The artist’s vision on this album is perhaps more forceful than the emotionally fragile moments of previous album Zenith, at times exemplified on songs like Memory Foam, a bright, driving pop song that belies themes of nostalgia and the past, reminding us that Molly alone can make us feel so welcome in loneliness. If there’s overt anger in songs like Money Never Sleeps, an anthem for a post-capitalist utopia if ever there was one, there’s also seams of optimism sewn into the album’s genetic code. A ny revolutionary will tell you that anger alone achieves nothing - Nilsson’s mission on Imaginations is to offer some alternatives we can hold close. Not Today Satan is a song about accepting love as the agent of change; “D on’t be sad, but do get mad at all the small men who act so tall, in the end they always fall; there ain’t no sin in giving in to love, that’s just how we’re winning the f i g h t . ” L o v e c a n b e v i s c e r a l , a w e a p o n w i t h w h i ch to fight the power. On Imaginations Molly is recasting her interior monologue as a prism through which to see the world, a means to live differently and to reject the status quo. We can Think Pink, change our destiny together. This is an optimism aboutt h e f u t u r e w h e n w e n e e d i t t h e m o s t . “N e w b o y s , n e w g i r l s . . g i v e m e y o u r s m i l e a n d I’l l g i v e y o u m i n e ”C learly, we are living through a transformation but with alchemists like Molly Nilsson, we’re never alone in the process

finally take its place alongside other recently resuscitated oblique jazz scores by the likes of Basil Kirchin, Krzysztof Komeda (Cul-De-Sac), Roger Webb and Jonny Scott.The real sacred jewel in Bruno Spoerri’s crown as the leader and pioneer of Switzerland’s electronic underground (not to mention sample source amongst rap royalty) and a mysterious monarchial figure in European jazz and music technology.  

to a halt, Bobby—a father and husband—had to do something. No tours to play or studio time to fill, Bobby found himself back in the construction yard, doing blue-collar work to provide for his family. "I was super grateful for the work—a lot of my colleagues didn't have an option like that," Bobby admits. More than a few personal hardships forced him to acknowledge and work through some brutal truths. And what came of it? Well, for one, this new record Get On The Otherside which pretty well describes what Bobby's been through: He had to demolish his ego, his old ways of thinking, and his tried approaches to anchor into a refreshed perspective with new understandings. As Bobby tells it, "I had to do some real self-searching, come to terms with what was wrong, and how much of it I was responsible for." So how does this translate to the new album? Moments of clarity as to where the real value in life lies on "I Got Love," encouraging numbers like the title track "The Otherside", and declarations of self actualization on "My Place, My Time." Even the more straightforward love songs are outside the box lyrically like "Sweet Agony" and "Loving Body." If you have never had the pleasure of catching one of Bobby's live shows you may have no idea that he is a maverick on the guitar. He lets us in on a little of that on "Passing Things" with a solo that possesses the same restrained and space that his lyrics do. As we'd expect, the songwriting still has that raw, direct edge to it. But an evolution has taken place. There are new points of view on familiar territory which in Bobby's words "For me to love, I needed to take a bigger view of love. One with less ego and more empathy" really hold true. The result is a record with Bobby's new found humility on full display and a message of encouragement to anyone who is struggling and can't see a way out. It still may be hard to nail down and define Bobby and his sound. He's no one thing more than the other. But what he's showing us now, on Get On The Otherside, is that we can also label him a soulful, philosophical optimist. Someone who can say a lot with a little, and who wants us all to know that it's us that has to do the hard lifting to truly live a life in love—both with the world and with yourself. Also Available From Bobby Oroza: The Otherside 7", I Got Love 7", This Love LP, Your Love Is Too Cold 7”, This Love 7” // Tracks: Side A: I Got Love, Loving Body, Bobby’s New Mood, The Otherside, Soon Everyone Will Know, Blinding Light. Side B: My Place My Time, Sweet Agony, Passing Thing, Make Me Believe, Real Connection, Through These Tears