
Trouble In Mind
En Attendant Ana - Principia (Peach Vinyl)
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-
FFO
Electrelane,
Stereolab
&
Laetitia
Sadier,
Cate
Le
Bon,
Deerhunter,
Yo
la
Tengo,
Black
Country
New
Road.
Parisian
quintet
En
Attendant
Ana
have
dazzled
since
day
one.
From
the
muted
strains
of
their
2016
EP
“Songs
From
The
Cave”,
to
the
assured
2018
TiM
debut
“Lost
&
Found”,
to
the
sparkling
refrains
of
“Juillet”;
released
just
before
the
world
collapsed
around
us,
and
which
stood
as
the
band’s
rebirth
and
purest
statement
of
their
music
ambitions
-
until
now.
“Principia”
is
the
band’s
third
album
and
is
without
a
doubt
their
best
yet.
Bandleader
&
principal
songwriter
Margaux
Bouchaudon’s
voice
anchors
many
of
the
songs
on
“Principia”,
her
crystalline
delivery
ringing
out
like
a
bell
as
the
band
swoons
&
sways
beneath
her.
The
songs
on
“Principia”
were
composed
from
a
place
of
confusion
about
the
state
of
the
world
and
her
place
in
it,
looking
outward
and
inward
for
answers.
They
question
our
perception
of
others,
the
one
they
have
of
us
and
finally
the
one
we
have
of
ourselves
in
a
society
where
the
individual
is
king
and
the
group
is
forgotten.
Guitarist
Max
Tomasso
-
newly
joined
just
before
the
recording
of
“Juillet”-
feels
more
“moved-in”
on
these
tunes,
his
sly
guitar-work
gliding
effortlessly
through.
No
showboating
-
only
prickling
at
the
precise
moment
necessary
in
suit
of
the
song
itself.
New
member
Vincent
Hivert
(their
touring
sound
man,
Hivert
joined
the
group
just
as
touring
was
underway
for
“Juillet”,
replacing
founding
member
Antoine
Vaugelade)’s
bass-work
is
rubbery
&
flexible,
bouncing
around
and
thru
the
melodies
on
a
rhythmic
sugar-high,
practically
urging
on
drummer
Adrien
Pollin’s
metronomic
swing.
The
band’s
secret
weapon,
multi-instrumentalist
Camille
Frechou’s
trumpet
&
saxophone
are
more
present
&
considered
in
the
arrangements,
adding
a
new
layer
of
sophistication
to
the
group’s
already
debonair
indie
pop.
Her
beatific
harmonies
add
a
yearning
to
Bouchaudon’s
lilting
phrases;
sometimes
uplifting,
other
times
melancholic.
Bouchaudon
says
“One
of
the
most
important
points
we
tried
to
focus
on
was
the
place
given
to
each
instrument.
For
the
first
time,
we
withdrew
parts,
we
were
careful
not
to
play
everyone
at
once
and
I
think
that
the
result
is
a
much
lighter
album
in
which
every
musician
has
a
specific
place
and
moment”.
But
this
album
is
also
the
first
one
to
have
been
shaped
entirely
by
the
band,
from
the
conception
to
the
production.
The
meeting
of
Vincent
Hivert
and
Margaux
Bouchaudon
gave
birth
to
a
duet
in
which
the
technical
and
artistic
aspects
were
intertwined
from
the
very
beginning
of
the
conception
of
“Principia”.
Apart
from
reshaping
En
Attendant
Ana’s
dynamic,
Vincent
Hivert
was
able
to
think
as
a
musician
and
producer
as
soon
as
they
started
working
on
Margaux
Bouchaudon’s
demos
which
brought
a
new
dimension
to
their
music.
The
two
of
them
recorded
and
mixed
the
album
together
reuniting
their
references
and
artistic
goals.
“Principia”
is
a
great
step
forward
without
sacrificing
the
things
that
make
the
band
unique.
The
nods
to
French
pop
(both
current
&
classic)
still
permeate
the
proceedings,
and
the
group’s
penchant
for
Anglo-Saxon
indie
pop
from
The
Nineties
(think
Electrelane,
Stereolab,
American
Analog
Set)
still
rings
out,
but
there’s
an
air
of
-
dare
we
say
-
maturity
in
“Principia”s
twelve
songs.
The
group
always
felt
a
little
‘out-of’
and
‘ahead-of’
its
time,
but
tunes
like
“Wonder”
“The
Cutoff”
and
“Same
Old
Story”
are
cinematic
and
romantic,
and
absolutely
feel
like
the
next
great
phase
of
an
already
great
band."
Tracklist:
01.
Principia
02.
Ada,
Mary,
Diane
03.
Black
Morning
04.
To
The
Crush
05.
Same
Old
Story
06.
Wonder
07.
Fools
&
Kings
08.
The
Cutoff
09.
Anita
10.
The
Fears,
The
Urge
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