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The band was formed in 1995 when current band leader Moussa “Abindi” Ibra was only 9 years old. “We only had one acoustic guitar,” he explains, “and for percussion, we hit a calabash with a sandal.\" Over the decades, the band painstakingly pieced together gear to form their band and built an audience by playing everywhere, for everyone. “It was difficult. We would walk to gigs by foot, lugging all our equipment, carrying a small PA and guitars on our backs, 25 kilometers into the bush, to play for free…there’s nowhere in Agadez we haven’t played.” Whereas other Tuareg guitarists look to Western rock, Etran de L’Aïr play in a pan-African style that is emblematic of their hometown, citing a myriad of cultural influences, from Northern Malian blues, Hausa bar bands, to Congolese Soukous. It’s perhaps this quality that makes them so beloved in Agadez. “We play for the Tuareg, the Toubou, the Zarma, the Hausa,” Abindi explains. “When you invite us, we come and play.” Their music is rooted in celebration, and invokes the exuberance of an Agadez wedding, with an overwhelming abundance of guitars, as simultaneous solos playfully pass over one another with a restrained precision, forceful yet never overindulgent. Also Available From Etran De L'Aïr: No. 1 LP \/ CD. Tracks: 1. Imouwizla 2. Toubouk Ine Chihoussay 3. Nak Deranine 4. Tchingolene 5. Nak Igley Ismadarana 6. Tahawerte Ine Idinette 7. Alhaire 8. Adounia 9. Karade Marhane 10. 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The second LP in our ongoing series of releases from Mariam - Tsege Gebru! More 1960's recordings of her truly unique solo piano performances. Mariam - Tsege Gebru is a true original - her playing is somewhere between Erik Satie, Debussy, liturgical music of the Coptic Ethiopian Church, and Ethiopian traditional music. It is some of the most moving piano music you will ever hear! All original compositions available for the first time on vinyl beyond the original early 1960's editions, which are completely impossible to find. A must have masterpiece for anyone who needs some spiritual comfort.\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":43148154011872,"sku":"","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/products\/EmahoyTsege-MariamGebru-EmahoyTsege-MariamGebru.jpg?v=1658407592"},{"product_id":"fela-kuti-roforofo-fight-50th-anniversary-edition-transparent-orange-green-vinyl-vinyl","title":"Fela Kuti - Roforofo Fight (50th Anniversary Edition, Transparent Orange \u0026 Green Vinyl)","description":"\u003cp\u003eBy 1972, when Music of Fela: Roforofo Fight was originally released (on two vinyl albums, Music of Fela Volume One and Volume Two), Fela was becoming one of the most avidly followed musicians in West Africa. His audience came from among the region's urban poor, the \"sufferheads\" living in the shanty towns around the major cities, along with growing numbers of students and political dissenters. Fela championed, and sang about the problems of, oppressed and exploited people and denounced the ruling elites lording it over them, with their seemingly endemic corruption and their ready use of violence to crush dissent. Because he generally sang in Broken English rather than Yoruba, and adopted an increasingly pan-Africanist outlook, his message resonated throughout Anglophone Africa. \u003c\/p\u003e\n\n\u003cp\u003eThe 50th-anniversary reissue of Roforofo Fight is pressed on double yellow \u0026amp; green vinyl. Side D features singles \"Shenshema\" and \"Ariya\" on vinyl for the first time. The two tracks were originally released as a 7\" single in 1972 and later featured in the CD reissue of \"Roforofo Fight \/ The Fela Singles\". Tracklist:\n\u003cbr\u003eSIDE A:\n\u003cbr\u003e1. 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Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long-distance collaboration from musicians in Senegal, led by Aurora Kane, and Sweden’s Karl Jonas Winqvist is an even more stylistically expansive affair. Joyful children’s songs collide with fuzzy guitar solos and thumping hip-hop beats. Shimmering synths lift off from the plunky percussion of the balafon and versatile sounds of the 22-string kora. Familiar voices from the first album return with more explicitly political lyrics, while the music feels both rhythmically dense and sonically weightless, flowing from one spellbinding moment to the next.\u003c\/p\u003e","brand":"Sahel Sounds","offers":[{"title":"Default Title","offer_id":43562333503712,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/products\/WauWauCollectif-Mariage.jpg?v=1666616077"},{"product_id":"witch-waile-indie-exclusive-vinyl","title":"WITCH - Waile (Indie Exclusive Vinyl)","description":"\u003cp\u003eWITCH were the first band in Zambia to release a commercial album - 1973’s ‘Introduction’.\n\u003cbr\u003eBlending the rock and roll sounds of the late 60s and early 70s together with more traditional, African rhythms, WITCH pioneered a new genre dubbed Zamrock, and during their brief, yet prolific early existence, WITCH (an acronym for We Intend To Cause Havoc) released seven albums and were the most revered band in the country.\n\u003cbr\u003e ‘Waile’ is WITCH’s first new song since 1984, and their first with original frontman and co-founder Emmanuel ‘Jagari’ Chanda since 1977. The track was a staple of their 70s live set but was never recorded until the band’s reunification.\n\u003cbr\u003e The B-side is titled ‘Waile (Midnight Version)’. While on tour in the UK, the band took the original stems from ‘Waile’ and reworked them, adding synths and more in studio.\n\u003cbr\u003e This is also this the first release from new Partisan label partners Desert Daze Sound.\u003c\/p\u003e","brand":"Desert Daze Sound","offers":[{"title":"Default Title","offer_id":43766246441184,"sku":null,"price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/products\/194415-witch-waile.jpg?v=1672315862"},{"product_id":"ofege-try-and-love","title":"Ofege - Try And Love | Vinyl LP","description":"\u003cp\u003eThe album caught the imagination of a young Nigerian crowd fascinated by the new teen band and Ofege joined a fresh wave of homegrown artists coming through in the wake of Fela’s towering influence and other Afro-rock bands like Monomono, Ofo The Black Company and Blo (Blo’s Berkley Jones contributed wild guitar solos to this album and continued working with the band).\u003c\/p\u003e\n\n\u003cp\u003eTry And Love mixed driving Afro-funk and rock tracks like the instrumental ‘Gbe Mi Lo’ and ‘Whizzy Llabo’ about a fellow student with hair like a wizard. Ukachi also contributed ballads including the title track and ‘It’s Not Easy’, most recently featured in TV series What We Do In The Shadows. 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Having already\n\u003cbr\u003eappeared on Soundway's best-selling compilation \"Doing It In Lagos\", here more\n\u003cbr\u003eof Nkono's limited solo work is carefully remastered and reissued on vinyl for the\n\u003cbr\u003efirst time.\n\u003cbr\u003e \n\u003cbr\u003eOne of a small handful of pioneers of the Nigerian electronic music scene in the\n\u003cbr\u003e1980s (alongside the likes of Jake Sollo \u0026amp; William Onyeabor), Teles was known\n\u003cbr\u003efor being tapped by over 100 musicians to feature on, produce or arrange their\n\u003cbr\u003emusic. The list of '80s Nigerian records that his sound and style embellished is\n\u003cbr\u003eseemingly endless: Steve Monite (he arranged and produced the music on the\n\u003cbr\u003eOnly You album recently re- issued by Soundway), Dizzy K, Peter Abdul, Odion\n\u003cbr\u003eIruoje, Steve Black, Rick Asikpo, Feladey, Charly Boy, Majek Fashek \u0026amp; Sonny\n\u003cbr\u003eOkosuns, to name just a few, all engaged his enigmatic production and keyboard\n\u003cbr\u003eservices throughout the 1980s. He became known as the first person in Nigeria to\n\u003cbr\u003epush the use of the drum machine into popular music and created a unique and\n\u003cbr\u003eoriginal boogie-funk sound combining these new beats with guitars and an array\n\u003cbr\u003eof new and affordable synthesiser sounds that started appearing in the early\n\u003cbr\u003e1980s.\n\u003cbr\u003eTracks:\n\u003cbr\u003e \n\u003cbr\u003e1. Martin Street Special\n\u003cbr\u003e2. Love Got A Hold Of Me\n\u003cbr\u003e3. Hometown Weather\n\u003cbr\u003e4. Martin Street\n\u003cbr\u003e5. Love Vibration\n\u003cbr\u003e6. Party Beats\u003c\/p\u003e","brand":"Soundway","offers":[{"title":"Default Title","offer_id":43915346247904,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/products\/telles.webp?v=1678809479"},{"product_id":"ali-farka-toure-voyageur","title":"Ali Farka Toure - Voyageur","description":"\u003cp\u003eAli Farka Touré is well known as one of the most influential and talented guitarists that Africa has ever produced. His legacy and impact are hard to overstate: Ali’s sound merged his much-loved traditional Malian musical styles with distinct elements of the blues, resulting in the creation of a ground-breaking new genre, now well known as the ‘Desert Blues’, earning him 3 Grammy awards and widespread reverence. ‘Voyageur’ is the first release of previously unheard music since 2010’s Grammy-winning ‘Ali \u0026amp; Toumani’, and features a collection of previously unheard gems captured at various points in Ali’s illustrious career. The album, which features fellow Malian superstar Oumou Sangaré on 3 tracks, reaffirms Ali’s status as a globally revered legend of African music.\u003c\/p\u003e","brand":"World Circuit","offers":[{"title":"Default Title","offer_id":43915652235488,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/products\/2_ALI-FARKA-TOURE-LE-VOYAGEUR-LP-4050538646993-EXPLODED_82.jpg?v=1678396740"},{"product_id":"various-artists-ecuatoriana-el-universo-paralelo-de-polibio-mayorga-1969-1981","title":"Various Artists - Ecuatoriana - El Universo Paralelo de Polibio\nMayorga 1969-1981","description":"\u003cp\u003eNew Analog Africa release \"Ecuatoriana - El Universo Paralelo de Polibio\n\u003cbr\u003eMayorga 1969-1981\" is highlighting one of the Andean Cumbia pioneers -\n\u003cbr\u003edaring and visionary, with an intrepid vigorous style almost impossible to\n\u003cbr\u003eimitate, Polibio Mayorga established a unique place for himself at the\n\u003cbr\u003evanguard of tropical music by flirting with avant-garde sounds, a hybrid\n\u003cbr\u003eof cumbia rhythms and traditional tunes, bringing music into the space\n\u003cbr\u003eage in an elaborated sonic flourish with electronic instruments.\u003c\/p\u003e","brand":"Analog Africa","offers":[{"title":"Default Title","offer_id":43933849813216,"sku":null,"price":29.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/products\/image001_7_c482f998-15d6-4101-a562-8ed0bb19531f.jpg?v=1679526392"},{"product_id":"fela-kuti-gentleman-50th-anniversary-edition-igbo-smoke-vinyl","title":"Fela Kuti - Gentleman (50th Anniversary Edition 'Igbo Smoke' Vinyl)","description":"\u003cp\u003eFela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.\u003c\/p\u003e\n\n\u003cp\u003e1973’s Gentleman is the 7th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be available on exclusive colored vinyl (Igbo Smoke) and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism. \u003c\/p\u003e\n\n\u003cp\u003eGentleman is the last of Fela's early 1970s albums recorded with the Africa 70. The title track can be interpreted literally or as a metaphor concerning a wider issue. Fela deftly addresses the colonialism-induced, inferiority complex which led many in Africa's new governing elites to reject African style, concepts of beauty, and modes of behavior in favor of European imports. Gentleman's other tracks, \"\"Fefe Naa Efe\"\" and \"\"Igbe,” have more direct, less metaphorical lyrics. On \"\"Fefe Naa Efe,” an Ashanti motto from Ghana, Fela tells a woman dumped by her boyfriend that she must get over the heartache and move on. On \"\"Igbe”, Fela declares that anyone who betrays a friend is shit, and that anybody who lacks self-respect is shit - something you want to expel from your body as soon as possible. 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Blending the rock and roll sounds of The Rolling Stones together with more traditional, African rhythms, WITCH pioneered a new genre dubbed Zamrock, and during their brief, yet prolific existence, WITCH (an acronym for We Intend To Cause Havoc) released seven albums and were the most revered band in the country.\n\u003cbr\u003eIn 2023, WITCH will release their eighth studio album, ‘Zango’, via Desert Daze Sound, a new Partisan imprint A\u0026amp;Red by the founder of the Desert Daze festival, Phil Pirrone.\n\u003cbr\u003eOn Zango, bandleader Emmanuel ‘Jagari’ Chanda is joined by Patrick Mwondela on keys, Nico Mauskoviç on drums and percussion, Stefan Lilov and JJ Whitefield on guitars, and Jacco Gardner on bass, who is also credited with producing the album alongside WITCH.\n\u003cbr\u003eThe album features collaborations with Keith Kabwe (Amanaz), Theresa Ng’ambi, Hanna Tembo and Sampa The Great.\n\u003cbr\u003eRecorded in the same studio in Zambia where the band’s sensational 1975 album ‘Lazy Bones’ had been made some 46 years prior - DB Studios - ‘Zango’ tells the story of the band’s phoenix-like rebirth into its current supergroup-like state.\n\u003cbr\u003eThe album is full of international and inter-generational collaborations that chart musical histories from Zambia and beyond.\u003c\/p\u003e","brand":"Desert Daze Sound","offers":[{"title":"Default Title","offer_id":44018129469664,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/witchyellow.webp?v=1684421290"},{"product_id":"roger-bekono-roger-bekono","title":"Roger Bekono - Roger Bekono","description":"\u003cp\u003eLong out-of-print release available digitally for the first time.\n\u003cbr\u003eExtensive notes by a local writer in English and French. Previously unpublished family photos. Urbanized traditional music at a dancefloor-friendly tempo. The very definition of an \"Awesome Tape From Africa\". Roger Bekono made a deep mark in the contemporary\n\u003cbr\u003ehistory of Cameroonian music through the four-on-the-floor, ribald intensity of bikutsi. The Ewondo-language dance-pop style that\n\u003cbr\u003eforms an undulating tapestry of interlocking triplet rhythmic interplay came to international prominence in the European \"world music\"\n\u003cbr\u003escene as the 90s began. But the relentless sound of bikutsi developed in Yaoundé at the hands of Bekono and many others, as it\n\u003cbr\u003edeveloped from a village-based singing style performed mostly by women into a cosmopolitan music force that rivaled the popularity of\n\u003cbr\u003eestablished musics like Congolese rhumba, merengue and makossa. With his unique—some say suave—voice, Bekono contributed\n\u003cbr\u003emuch over a period of more than 10 years as part of the evolution of this traditional rhythm-turned-urban dance movement. Bekono\n\u003cbr\u003eworked with legendary producer Mystic Jim, who had built a prolific home studio along with a crack team of musicians. They joined as\n\u003cbr\u003epart of the production of his self-titled album, which became known locally as \"Jolie Poupée,\" the name of the album's lead single and\n\u003cbr\u003emost popular song. For \"Jolie Poupée\" Mystic Jim programmed the kick or bass drum, adding effects to have a heavier bass. Overall\n\u003cbr\u003ethe album represented a new level of finesse and professionalism for his second release. In the middle of 1989, Jolie Poupée was\n\u003cbr\u003ereleased by the label Inter Diffusion System and aggressively hit the radio, discos and national television. The music video for the title\n\u003cbr\u003etrack was on loop on TV. It felt like everyone was talking about it, even artists in adjacent music scenes like makossa. The album came\n\u003cbr\u003eout on vinyl and cassette and remains Bekono's best-selling recording to this day. With Jolie Poupée Bekono finally made an impact\n\u003cbr\u003eoutside Cameroon as the record captured listeners in some Central African countries like Equatorial Guinea, Gabon, Republic of\n\u003cbr\u003eCongo and Sao Tome \u0026amp; Principe. In these countries, we find the Fang or Mfan people (also known as Ekang), Bantu-speaking ethnic\n\u003cbr\u003egroups that are also found in Cameroon. This umbrella language group includes the language in which bikutsi is mainly sung. Most of\n\u003cbr\u003eBekono's songs are in French, Ewondo (of which Beti is a dialect) and Pidgin. The four songs on Jolie Poupée are all considered\n\u003cbr\u003ebikutsi classics. On September 15, 2016, Bekono died of a long illness at the age of 62. In the wake of his passing the media published\n\u003cbr\u003ea wave of tributes, thanking him for what he did for Cameroonian music. He was an admired musician, songwriter and guitarist, and\n\u003cbr\u003esome of his old colleagues and some of the new generation of performers showered Bekono with vibrant tributes via social media,\n\u003cbr\u003emany of which noting something to the effect of: \"The artist dies but his works remain.\" Tracks: 1. Jolie Poupée (7:26) 2. Etam Mot\n\u003cbr\u003e(7:29) 3. Enying Moni (7:29) 4. 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Moving World, is a funky, disparate album that exudes a rare warmth, enthusiasm and togetherness. 'Moving World' and 'Brotherhood of Man' are hard, grinding funk. 'Jungle Music' has a more soulful groove. There's also a bit of reggae, 'Dracula Dance', and old-skool highlife, 'Wale Tobite'. Accra's leading DJ, Charlie Sam, declared his mind 'well and truly boggled.' The Kelenkye Band never recorded another album. Augustus Kerry Taylor shut down Emporium and went back to designing album covers. 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This newly remastered edition\n\u003cbr\u003emakes its vinyl debut.Inspired by a landmark 1970 album, Ancient Strings,\n\u003cbr\u003erecorded by their fathers,Sidiki Diabaté and Djelimadi Sissoko, Toumani and\n\u003cbr\u003eBallake took to making their own updated version, whichmany of the songs come\n\u003cbr\u003efrom the original repertoire, the music is all modern Mali and played beautifully\n\u003cbr\u003emaking this a modern classic in it's feld.Newly remastered from the original\n\u003cbr\u003emaster tape by Alchemy Mastering at AIR.3mm Spined Sleeve, Printed Insert\n\u003cbr\u003eTracks: Bi Lambam \/ Salaman \/ Kita Kaira \/ Bafoulabe \/ Kora Bali \/ Kadiatou \/\n\u003cbr\u003eYamfa\u003c\/p\u003e","brand":"CHRYSALIS RECORDS","offers":[{"title":"Default Title","offer_id":44059441561824,"sku":"","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/TOUMANIDIABATE.jpg?v=1710430517"},{"product_id":"amanaz-africa-2023-repress","title":"Amanaz - Africa (2024 repress)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNow-Again’s Amanaz release presented here differs from the label’s previous reissue in that it’s a single LP of just the dry mix – omitting the reverb mix of the album. Issued in 1975, this is the articulation of Zambia’s Zamrock ethos. Its' musicians were anti-colonial freedom fighters, it envelops Zambian folk music traditions, and it rocks - hard. Amanaz were serious, and they made a serious stab at an album. They titled their album Africa, according to original band member Keith Kabwe, “because of how it was shared and how its inhabitants were butchered and enslaved, its resources stolen... all the atrocities slave drivers committed. “ Thus, their “Kale,” a blues sung in Nyanja, that traced the continent’s arc from slavery to Zambia’s independence closes the album. Kabwe and rhythm guitarist John Kanyepa have a winsome softness to their vocals, which sit politely aside the feral growl of drummer Watson Baldwin Lungu, bassist Jerry Mausala and bandleader\/lead guitarist Isaac Mpofu. Africa’s vibe ranges from anxious (“Amanaz”) to escapist (“Easy Street”) to straight-up pissed-off. On the “History of Man,” his voice whiskey-burned, his distorted guitar buzzing like swarming hornets, Mpofu indicts his species. There’s a darkness to Africa not found on any other Zamrock records, and a melancholy drifts throughout, specifically on Mpofu’s more restrained “Khala My Friend,” which stands as an effective, bleak situation for the Zambian everyman, the average citizen of a struggling, new nation, who might have had relatives in conflict-torn countries on the horizon, who might have been struggling to find his next meal, who might have seen a bleaker future than his president promised. Then there’s the clear Velvet Underground-influence on the nostalgic “Sunday Morning,” which, as Kabwe recalls, was the first song written for the album, back in 1968, when Velvet Undergound and Nico was a new release - and the underground funk of “Making The Scene.” The album also tackles traditional Zambian music and early-‘60s rock – punctuated, of course by Kanyepa’s wah-wah and Mpofu’s fuzz guitars. But every time Amanaz get too deep, too violent, they come back with an accessible song and woo their listener back to the groove. “Green Apple” is a civil song, featuring Kanyepa’s sighing guitar\u003c\/p\u003e\n\u003c!----\u003e","brand":"Now-Again Records","offers":[{"title":"Default Title","offer_id":44129296187616,"sku":null,"price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/amanaz.webp?v=1691617920"},{"product_id":"william-onyeabor-world-psychedelic-classics-5-who-is-william-onyeabor","title":"William Onyeabor - World Psychedelic Classics 5: Who Is William Onyeabor","description":"\u003cp\u003eWilliam Onyeabor - World Psychedelic Classics 5 - Who Is William Onyeabor Vinyl Record\u003c\/p\u003e","brand":"K7","offers":[{"title":"Default Title","offer_id":44130431271136,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/onyeabor.webp?v=1691689013"},{"product_id":"pasteur-lappe-african-funk-experimentals-1979-to-1981","title":"Pasteur Lappe - African Funk Experimentals (1979 to 1981)","description":"\u003cp\u003eNext up on Africa Seven is the second edition of our \"African Funk Experimentals\" LPs. With these we took some of our favourite African artists, choose the most funky we can find and then put together a compilation of their choicest and funkiest tracks. Of course that may not be their most popular or best selling tracks… but that's just fine. We are digging for the funk.\u003c\/p\u003e\n\n\u003cp\u003eStep forward Cameroonian funk master Pasteur Lappe. The story begins in the 60s with a charming 19 year old Nicolas \"Pasteur\" Lappe becoming a sensation on Radio Adele in Douala Cameroun. He goes on to become the editor of Douala Gazette newspaper and become friends with other African music stars such as Tala AM, J Moboule and Fela Kuti. He also works tirelessly promoting new and upcoming local Cameroonian talent. 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Forging her reputation through memorable sets for the Nyege Nyege Festival in Uganda over the last decade, Kampire now tours worldwide and is celebrated for her brilliantly curated sets spanning the full range of African music styles from the ‘70s and ‘80s to the present day.\u003c\/p\u003e","brand":"STRUT RECORDS","offers":[{"title":"Default Title","offer_id":45940015792352,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/ndola.jpg?v=1719503292"},{"product_id":"various-artists-nigeria-70-the-definitive-guide-to-1970s-funky-lagos-translucent-green-vinyl","title":"Various Artists - Nigeria 70: The Definitive Guide To 1970's Funky Lagos (Translucent Green Vinyl)","description":"\u003cp\u003eStrut proudly presents a special edition repress of the groundbreaking ‘Nigeria 70’ compilation, now available on translucent green vinyl 3LP to celebrate the label’s 25th Anniversary.\u003c\/p\u003e\n\n\u003cp\u003eFirst released in 2001, Nigeria 70 was a pioneering compilation that delved deeply into Lagos' vibrant music scene, where local artists blended highlife and traditional rhythms with soul, funk, rock, and jazz. 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The compilation includes elements of psychedelic rock, from the heavily fuzzed-out sounds of Ofo \u0026amp; the Black Company's \"Allah Wakbarr\" to BLO's hauntingly serene \"Chant to Mother Earth.\" The influence of late 1970s and early 80s disco can be heard in tracks like Joni Haastrup's 1977 \"Greetings\" and Shina Williams \u0026amp; His African Percussionists' 1984 electro-funk track \"Agboju Logun,\" all while maintaining a strong Afrobeat foundation.\u003c\/p\u003e\n\n\u003cp\u003eBeloved by collectors and dancefloor enthusiasts, Nigeria 70 is rich with soul, humanity, and a broad spectrum of the region's musical talent. 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Their first album, No.1, brought their music\n\u003cbr\u003eto critics and fans. Their second album, Agadez, sent them into the international touring circuit. And now they're back with 100%\n\u003cbr\u003eSAHARA GUITAR, ready to take on the world, with those swinging melodies, like a sandstorm blowing in from across the sea. Etran de\n\u003cbr\u003eL’Aïr are 100% SAHARA, and that goes same for the band, all sons of AGADEZ, including brothers Moussa, Abdoulaye, and\n\u003cbr\u003eAbdourahamane, and their dear friend, the youngest of the group, Alghabid. All the brothers write and play guitar, swapping out\n\u003cbr\u003einstruments while Alghabid keeps the FOUR ON THE FLOOR. In 100% SAHARA GUITAR, Etran de L’Aïr are back to claim the throne,\n\u003cbr\u003ewith their first studio album! And what a sound it is. Recorded in sunny studios on the WEST COAST, the brothers take that old Agadez\n\u003cbr\u003esound to new levels, adding even more guitars into the mix, weaving layers of reverb-laden melodies and shimmering harmonies into a\n\u003cbr\u003etapestry of sound. How much guitar can they fit into one record? 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