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Before the funk, soul, disco (and much more) of his musical alter-ego took hold, Gibbons aspired to be a film composer, growing up on the scores of John Barry, John Williams, Thomas Newman and, more recently, David Holmes, Daniel Pemberton and Ludwig Göransson.\u003c\/p\u003e\u003cp\u003e“The material I put out under my own name is designed to scratch the itch I’ve always had of writing music to picture,” says Gibbons. “A film composer was what I wanted to be – I was obsessed with it for a number of years. I actually thought the Lack of Afro material would be a side project or even a distraction. It ended up being the other way around.”\u003c\/p\u003e\u003cp\u003eWhere ‘The Last Bastion’ scored a film that has never existed, ‘Music For Motion Pictures’ takes a different route. 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Living with musculoskeletal disability since childhood, and surviving a critical injury in her late 20s, the singular minimalism and innovative playing of Tauber’s piano(s) testifies to music’s ability to provide a dialogue between pain and joy. Covering a breadth of output in the final decade of her life, this first archival volume of Tauber’s work introduces her capacity to inflect the avant-garde with the intimacy of the personal, combining improvisation and intuition with the chance-based structures to which her intellectual and spiritual life was devoted.\u003c\/p\u003e\u003cp\u003eLotti Tauber was born in 1944, in Winterthur, Switzerland, north of Zurich. Her mother and father were close associates of the Swiss psychiatrist C.G. Jung Living with musculoskeletal disability since childhood, and surviving a critical injury in her late 20s, Tauber developed an iconoclastic playing style that focused on the movements of her thumb and ring finger. Her compositions were often structured by mystical texts related to her Jungian interests The singular minimalism and innovative playing of Tauber’s piano(s) testifies to music’s ability to provide a dialogue between pain and joy, combining improvisation and intuition with the chance-based structures to which her intellectual and spiritual life was devoted Covering a breadth of output in the final decade of her life, this first archival volume of Tauber’s work introduces her capacity to inflect the avant-garde with the intimacy of the personal Transferred and restored by Frédéric Ménétrier and Alexis Eskandari at Gecko Studios and mastered by Stephan Mathieu, this audiophile edition was pressed by RTI and includes extensive liner notes by Kristen Gallerneaux. 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The resulting record is a beautiful journey into a timeless Middle Eastern and North African sound akin to the likes of Fairuz or Umm Kulthum with a fast Kurdish Dabke tempo.\u003c\/p\u003e\u003cp\u003eI Love You Ireland is an incredibly personal album for Mohammad. The title alone, much like his debut ‘I Am Kurdish’ is as personal as it it’s political. To express such love for a place in music is saying, thank you for making me and family feel safe. Thank you for taking us in. A stand out track titled ‘Ah Yu Donia’ is Mohammad’s first real public moment of grieving for the loss of his son at the murderous hands of Isis. In this song he asks God why he was taken. Trying to figure the sense in the actions of fundamentalists. The strings sections are sad, but not morbid. 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