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She and her co-writer Kit Warren began writing this album in early 2022, recording it gradually over the next 18 months. They utilised several studios across London to capture the best of each element: The Cube in Stoke Newington for the drum sound, Hackney Road Studios for lead vocals, and Sam Beer's studio in Acton for Hammond, Wurlitzer, and background vocals. This album was a labour of love, involving over 12 musicians with incredible talent. Inspired by the doo-wop and Chicago soul pioneers The Impressions, the vocal styles of Sarah Vaughan and Aretha Franklin, and the echoing, modern R\u0026amp;B sounds of Thee Sacred Souls and The Altons, Denver's debut album has a clear thematic thread. It effortlessly navigates the world of '60s- style background vocals and R\u0026amp;B horn arrangements, carefully curated by Denver. With her background in jazz and her arrangement style firmly rooted in the world of soul and R\u0026amp;B, you can clearly hear her influences, supported by some of London's fnest musicians.\u003c\/p\u003e","brand":"BROKEN SILENCE RECORDS","offers":[{"title":"Default Title","offer_id":46125271384288,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/denvercuss_jpg.jpg?v=1722540912"},{"product_id":"etran-de-lair-100-sahara-guitar-transparent-blue-vinyl","title":"Etran de L'Aïr - 100% Sahara Guitar (Transparent Blue Vinyl)","description":"\u003cp\u003eEtran de L’Aïr the STARS OF THE AÏR, the longest running wedding band in\n\u003cbr\u003eAGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazed desert sound! Their first album, No.1, brought their music\n\u003cbr\u003eto critics and fans. Their second album, Agadez, sent them into the international touring circuit. And now they're back with 100%\n\u003cbr\u003eSAHARA GUITAR, ready to take on the world, with those swinging melodies, like a sandstorm blowing in from across the sea. Etran de\n\u003cbr\u003eL’Aïr are 100% SAHARA, and that goes same for the band, all sons of AGADEZ, including brothers Moussa, Abdoulaye, and\n\u003cbr\u003eAbdourahamane, and their dear friend, the youngest of the group, Alghabid. All the brothers write and play guitar, swapping out\n\u003cbr\u003einstruments while Alghabid keeps the FOUR ON THE FLOOR. In 100% SAHARA GUITAR, Etran de L’Aïr are back to claim the throne,\n\u003cbr\u003ewith their first studio album! And what a sound it is. Recorded in sunny studios on the WEST COAST, the brothers take that old Agadez\n\u003cbr\u003esound to new levels, adding even more guitars into the mix, weaving layers of reverb-laden melodies and shimmering harmonies into a\n\u003cbr\u003etapestry of sound. How much guitar can they fit into one record? 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These are drifting, pastoral meditations rooted in the “joy and rhythms” of Eastern music and one of the most precious luxuries of our time: doing things slowly. Italian multi-instrumentalist Alessio Ferarri’s third Upupuyāma record and first on Fuzz Club finds inspiration in traditional Bhutanese music, Thai disco and Anatolian psych, by way of the lysergic acid-folk, ‘70s kosmische and stoner-rock that has always coursed through the project – dream-like instrumentals always threatening to breakdown into blasts of fuzzed-out riffing. “Mount Elephant was born out of a need to listen, to listen to silence”, Ferrari says: “Listening to the silence while observing flowers, while moving your hands in the wind, listening to your body while you are dancing. If in my first album (Upupayāma) I had travelled the length and breadth of a place, in the second (The Golden Pond) I had reached one and stopped there, in this third album I set out again, crossing a border and entering a long-dreamed place that I could finally ‘see with my own eyes’.” A six-piece band live, where things take a more ever-evolving improvisation-based approach, on the recordings Ferrari writes, plays and records everything himself – guitars, keys, flute, sitar, erhu and an arsenal of percussion all feature. 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