{"title":"07\/03\/2025","description":"","products":[{"product_id":"the-tubs-cotton-crown-daffodil-yellow-vinyl","title":"The Tubs - Cotton Crown (Daffodil Yellow Vinyl)","description":"\u003cp\u003eThe Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personal territory while continuing to hone their highly addictive brand of songcraft. It’s a true level up album which sees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything from soulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop (Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a ‘vast world of moods and muses’ and Cotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in the process. This is in no small part down to Owen ‘O’ Williams’ vocal performance- often compared to a young Richard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into his favourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being a musician in London. This time around, however, there’s a palpable sense of risk in his self assessments \/ confessions. No more so in the track’s closing track Strange- an accounting of the clumsy, intrusive, well-meaning social interactions that took place in the period following the suicide of his mother (the folk singer Charlotte Greig.) As Williams says: “I’d tried a few times to write a song about it. The result had always seemed either mawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because it looked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, acted after the dust settled.” The album artwork features an image of Williams as an infant being breastfed by Greig in a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which was featured in The Guardian in 2023.)\u003c\/p\u003e\n\n\u003cp\u003eThe essential trick Cotton Crown plays is to offset Williams’ lyrical bleakness with joyous, hook-laden blasts of pop perfection. This is largely down to the guitar work of George Nicholls, who, across the album, effortlessly slips between the virtuoso jangle of Marr, the driving folk-rock of Pentangle and the chorus-heavy hi-fi grooves of contemporary bands like Tops or The 1975. Add to that the breakneck rhythm section of Taylor Stewart (Drums) and Max Warren (Bass)- who attack each song with power-pop ferocity, recalling Guided by Voices at their drunken-yet-tight best- and you’ve got yourself a recipe for indie rock greatness.\u003c\/p\u003e\n\n\u003cp\u003eThe band’s debut ‘Dead Meat’ was a word-of-mouth sensation that saw the band earn accolades from Pitchfork, The Guardian, MOJO, SPIN and more. They even gained some celeb fans: the inimitable Mark Proksch (The Office (US), Better Call Saul, What We Do in the Shadows) starred in the video for their “Round the Bend” single \u0026amp; punk legend Iggy Pop has praised them on his BBC 6Music radio program. Standing in opposition to the UK norm of post punk, and hookless high-minded indie prog, the album was described by Kitty Empire (Observer) as a “shot in the arm for indie rock”. The band’s hard touring and raucous, beery live show have seen them stand out at festivals like Greenman, End of The Road, Melbourne Rising and Canela Party. The band (minus Stewart) were previously members of Joanna Gruesome- who won the Welsh Music Prize, toured the UK and US extensively, and were praised in Pitchfork, Rolling Stone, The NY Times, The Guardian and others. Lan Mcardle (Joanna Gruesome, Ex-Void) also provides backing vocals on several tracks. The Tubs are part of the Gob Nation collective- the London-based network of bands, writers and promoters who were recently profiled in The Guardian.\u003c\/p\u003e","brand":"Trouble In Mind","offers":[{"title":"Default Title","offer_id":53553655087478,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/tubs.jpg?v=1729595871"},{"product_id":"hotwax-hot-shock-black-with-cream-streak-vinyl","title":"HotWax - Hot Shock (Black With Cream Streak Vinyl)","description":"\u003cp\u003eHotWax are a band set on experiencing life at its most intense.\u003c\/p\u003e\n\n\u003cp\u003eIn the past two years, the Hastings-via-Brighton trio - comprising Tallulah Sim-Savage (vocals\/guitar), Lola Sam (bass) and Alfie Sayers (drums) - have toured the world over, clocking up over 150 dates, including shows with Royal Blood and Frank Carter, and major festival appearances at Reading \u0026amp; Leeds and All Points East. Out of all this comes debut album Hot Shock (due March 7 via Marathon Artists), a record of adrenaline-jolted anthems about abandoning fear and leaping boldly towards the future.\u003c\/p\u003e\n\n\u003cp\u003eHotWax worked with an all-female production team at the prestigious RAK studios, Catherine Marks (Boygenius, Wolf Alice) and Steph Marziano (Hayley Williams, Let's Eat Grandma), as well as additional recording with Stella Mozgawa of Warpaint in Joshua Tree, California.\u003c\/p\u003e\n\n\u003cp\u003eThese songs were made to be played to a crowd, loud and with abandon. But there's also a beating pulse of vulnerability underscoring the album. 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The year’s end brought more movement for the married couple at the core of Pale Blue Eyes, singer and guitarist Matt Board and drummer and synth queen Lucy Board. Sadly, family tragedy catalysed a move from South Devon to South Yorkshire.  \u003c\/p\u003e\n\n\u003cp\u003e“Change is a theme throughout the new album,” says Lucy. “It’s about being in a new place, starting again but reflecting on the journey and what and who got us to this place. It's a celebration of making it to this point and starting again.”\u003c\/p\u003e","brand":"Broadcast Recordings","offers":[{"title":"Default Title","offer_id":55130484539766,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/PALEBLUEEYESBLACK.jpg?v=1736362487"},{"product_id":"pale-blue-eyes-new-place-transparent-blue-vinyl","title":"Pale Blue Eyes - New Place (Transparent Blue Vinyl)","description":"\u003cp\u003eThe third album from Pale Blue Eyes is called New Place – invocation of fresh horizons; swapping creamy Devon for the synth central of Sheffield. The album arrives on the back of extensive and emotional transit. For PBE, 2024 started with a wonderful tour of 12 European countries with Slowdive. Over 12,000 kilometres. Snow and deep cold in Norway and Poland. Drought-stricken landscapes in France and Spain. On and on, joyously so. 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Physically unable to play with the band or to strum a guitar, he wrote this new Vundabar material completely differently: Holed up alone and building layered guitar parts by recording individual pieces until they formed a whole. He’d been broken himself, and in turn broke down what the band was, gaining a better understanding along the way.\n\u003cbr\u003e \n\u003cbr\u003eAfter cutting hundreds of demos, Hagen culled the material down to the TK songs that make up Surgery And Pleasure. These explore a complex cycle of grief and all the ways it manifests in unexpected forms — physicality and escapism in “Beta Fish,” sarcastic self-pity in “Let Me Bleed,” a moment of mercy and empathy in the sprawling six-minute epic “I Need You.”\n\u003cbr\u003eIf there’s any making sense of these things, Surgery And Pleasure chooses to view loss not as subtraction in life, but some kind of twisted addition to how we see the world around us. 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And while the dreamlike EELS probes further into the depths of the duo Being Dead’s psyche, it is, most importantly, in\n\u003cbr\u003ethe year of our lord 2024, a 16-track record that is genuinely unpredictable from one track to the next: a joyous and unexpected trip\n\u003cbr\u003ehelmed by two true-blue freak bitch besties holed up in a lil’ house in the heart of Austin, Texas. “It’s cool without trying to be; it feels\n\u003cbr\u003eraw and rustic, but it’s always infused with heart and honesty.” - Far Out Magazine.\u003c\/p\u003e","brand":"Bayonet Records","offers":[{"title":"Default Title","offer_id":55212815516022,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/beingdead.webp?v=1738261520"},{"product_id":"balthvs-macrocosm-black-vinyl","title":"BALTHVS - MACROCOSM (Black Vinyl)","description":"\u003cp\u003eMACROCOSM is BALTHVS' first LP.\n\u003cbr\u003eThe name implies the diverse nature of the music, the substantial genre blending throughout, and the general psychedelic vibe of the\n\u003cbr\u003esongs.\n\u003cbr\u003eIt's a cross-continental trip across time, styles, languages, and rhythms.\n\u003cbr\u003eIn just five years, BALTHVS has carved out a unique space in the global music scene, emerging as Colombia’s most prominent\n\u003cbr\u003ealternative international act. 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Marinated in music. “I believe more in the scissors than I do in the pencil,”\n\u003cbr\u003esaid Truman Capote. ”Simplicity is the ultimate sophistication,” opined Leonardo da Vinci much earlier in proceedings. Yes, it’s the\n\u003cbr\u003espace around the object, what you leave out that makes what you leave in so important. ESG know this. Sure they can play the game\n\u003cbr\u003ebut it’s the swagger of the groove and the minimal topping – like an anti-cup cake – that makes this unique New York sisterhood so\n\u003cbr\u003eappealing on ‘Keep On Moving’. Sampled on TV ads, lauded by critics and swooned over on the dancefloor, ESG’s post-punk took out\n\u003cbr\u003ethe grunge and polished the basics. Cut them open and “less is more” is written all the way through. ‘Keep On Moving’ was released\n\u003cbr\u003eover ten years ago to much praise (Q said it was “even better” than 2002’s much loved ‘Step Off’). ESG had been sparring partners for\n\u003cbr\u003ePiL and early hip hop and four years after the ‘Off’, they were onto something new – rhythm as core, reflective storylines about\n\u003cbr\u003erelationship management, sensuality and insanity gather around the bass fix but they’re much blurrier than the incessant beats.\n\u003cbr\u003eInadvertently they unmask techno and glitch and leave out any kind of superfluous fluff. It’s hard and temple throbbing. Turn it up. And\n\u003cbr\u003ekeep moving. “If there's one tune which sums up ESG's enduring lust for life, it's the beautifully-judged Black Flag\/early techno\n\u003cbr\u003ecrossover of the closing 'Gimme A Blast'.”\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":55335582400886,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/ESGKEEPNON.jpg?v=1741074462"},{"product_id":"esg-come-away-with-neon-orange-vinyl","title":"ESG - Come Away With (Neon Orange Vinyl)","description":"\u003cp\u003eRepressed LP on Neon Orange Vinyl. Come Away With ESG - 35-year anniversary release of the classic genre-busting debut album\n\u003cbr\u003eby the Bronx sisters ESG. The sample-friendly opus that’s the inspiration for hip-hop, house and post punk. Music that falls outside of\n\u003cbr\u003ethe no wave, new wave and post punk library, it’s for the dance floor but it’s not funk, there’s no horns, no driving organ; it’s the\n\u003cbr\u003eopposite of Sly And The Family Stone but no less cool and no less groovy. “A lasting document of their unique brand of minimal funk\n\u003cbr\u003ethat would influence subsequent post-punk, hip-hop, and dance music acts. Stripped down to the most basic of drumbeats and\n\u003cbr\u003erudimentary bass lines, ‘Come Away’ confirms the notion that the real rhythm is what happens between the beats. AllMusic \/\/ “This is\n\u003cbr\u003e5\n\u003cbr\u003edub disco with a punk edge.” Paste \/\/ “Uncut punk-funk straight off the streets of the South Bronx.”\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":55335582433654,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/COMEAWAYWITH.jpg?v=1741074496"},{"product_id":"esg-step-off-neon-orange-vinyl","title":"ESG - Step Off (Neon Orange Vinyl)","description":"\u003cp\u003eRepressed LP on Neon Orange Vinyl. “ESG's fusion of sweet soul and punk attitude with an intuitive understanding of dance music\n\u003cbr\u003eremains.” The Guardian “This is still funk with an alien otherworldliness the likes of which George Clinton never envisioned, stripped to\n\u003cbr\u003eits barest essentials for maximum impact.” All Music “ESG are as cool as ever.” The Guardian Pumping their way out of the South\n\u003cbr\u003eBronx of New York in the early 80s, this rhythm and dance-punk outfit made unforgettable funk that was also unusually rooted in post-\n\u003cbr\u003epunk. This powerhouse of raw and cutting edge music ultimately made them ahead of their time. ESG enjoyed success sharing stages\n\u003cbr\u003ewith PiL and Gang Of Four and have been heavily sampled as many musicians including TLC, Wu-Tang Clan, Beastie Boys and Liars.\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":55335582531958,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/ESGSTEPOFF.webp?v=1741074525"},{"product_id":"kuna-maze-layers","title":"Kuna Maze - Layers","description":"\u003cp\u003eOut Friday 7th March, 'Layers' is the sophomore album by Brussels-based producer, multi-instrumentalist and DJ Kuna Maze, aka Edouard Gilbert. The live-driven, 11-track LP features previously released singles \"Blast\", \"Stab\", and \"Bristol Changes\".\u003c\/p\u003e\n\n\u003cp\u003eFollowing the success of Kuna Maze's debut album 'Night Shift'—a concept record exploring the journey into the night and praised by Groove, Four Heads and Mo Ayoub (BBC Radio 1) — 'Layers' offers a dynamic fusion of textures and tones, creating a listening experience that reveals new depths with each spin.\u003c\/p\u003e\n\n\u003cp\u003e'Layers' is a project deeply influenced by Kuna Maze's experience of touring with his live band. \"My aim was to capture the energy and improvisational spirit of live performances, while diving deeper into the jazz influences of my music, all while maintaining the electronic vibe that has always defined my sound\". Kuna Maze worked directly with the band in the studio to record his compositions, channelling the energy, emotion and spontaneity that are present in his live shows.\u003c\/p\u003e\n\n\u003cp\u003eThe title 'Layers' reflects Kuna Maze's approach to music and art as a whole. \"I love the idea of multiple levels of listening, where each time you hear a song, you notice something new. 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