{"title":"01\/03\/2023","description":"","products":[{"product_id":"yard-act-wheres-my-utopia-black-vinyl","title":"Yard Act - Where's My Utopia? (Black Vinyl)","description":"\u003cp\u003eTRACKLIST \n\u003cbr\u003e \n\u003cbr\u003e1.           An Illusion \n\u003cbr\u003e2.           We Make Hits \n\u003cbr\u003e3.           Down By the Stream \n\u003cbr\u003e4.           The Undertow \n\u003cbr\u003e5.           Dream Job \n\u003cbr\u003e6.           Fizzy Fish \n\u003cbr\u003e7.           Petroleum \n\u003cbr\u003e8.           When the Laughter Stops \n\u003cbr\u003e9.           Grifter’s Grief \n\u003cbr\u003e10.         Blackpool Illuminations \n\u003cbr\u003e11.         A Vineyard for the North\u003c\/p\u003e","brand":"Island","offers":[{"title":"Default Title","offer_id":44295233536224,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/RetailWideLPv1_1_33.jpg?v=1698360956"},{"product_id":"yard-act-wheres-my-utopia-indie-exclusive-yellow-vinyl-with-sticker-set","title":"Yard Act - Where's My Utopia?  (Indie Exclusive Yellow Vinyl With Sticker Set)","description":"\u003cp\u003eTRACKLIST \n\u003cbr\u003e \n\u003cbr\u003e1.           An Illusion \n\u003cbr\u003e2.           We Make Hits \n\u003cbr\u003e3.           Down By the Stream \n\u003cbr\u003e4.           The Undertow \n\u003cbr\u003e5.           Dream Job \n\u003cbr\u003e6.           Fizzy Fish \n\u003cbr\u003e7.           Petroleum \n\u003cbr\u003e8.           When the Laughter Stops \n\u003cbr\u003e9.           Grifter’s Grief \n\u003cbr\u003e10.         Blackpool Illuminations \n\u003cbr\u003e11.         A Vineyard for the North\u003c\/p\u003e","brand":"Island","offers":[{"title":"Default Title","offer_id":44295233601760,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/IndiesExclusiveLPwithStickerSheet_64.jpg?v=1698360934"},{"product_id":"the-blinders-beholder","title":"The Blinders - Beholder","description":"\u003cp\u003eThe Blinders make their return today with ‘Brakelights’, the first track to be taken from their forthcoming\n\u003cbr\u003ethird album, Beholder, which is released on Friday 1st March 2024 via Funhouse Recordings\/ EMI.\n\u003cbr\u003eThe perfect introducCon to their new album ‘Brakelights’ drips with a dark atmospheric intensity which\n\u003cbr\u003eequally lurks across the albums other 9 tracks.\n\u003cbr\u003e \n\u003cbr\u003e \n\u003cbr\u003eTrack list\n\u003cbr\u003e 1. Ceremony\n\u003cbr\u003e2. Brakelights\n\u003cbr\u003e3. While I’m SVll Young\n\u003cbr\u003e4. At Any Hand But Hers\n\u003cbr\u003e5. Always\n\u003cbr\u003e6. Iggy Got Camaro\n\u003cbr\u003e7. Waterfalls Of Venice\n\u003cbr\u003e8. Nocturnal Skies\n\u003cbr\u003e9. Swallowing Static\n\u003cbr\u003e10. All I Need\u003c\/p\u003e","brand":"EMI","offers":[{"title":"Default Title","offer_id":44307547685088,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/StandardLP_28.jpg?v=1698782430"},{"product_id":"karen-dalton-its-so-hard-to-tell-whos-going-to-love-you-the-best","title":"Karen Dalton - It's So Hard To Tell Who's Going To Love You The Best","description":"\u003cp\u003eKaren Dalton's 1969 Capitol debut is finally back in print! Light in the Attic is thrilled to present a brand new edition of this heart-wrenching \u0026amp; bluesy introduction to the intoxicating world of Dalton and her deep well of musical secrets. \u003c\/p\u003e\n\n\u003cp\u003eWorld-weary and filled with the blues, Dalton’s unsurpassed interpretive depth and emotional range were like no other. Recorded for Capitol in 1969, It’s So Hard To Tell Who's Going To Love You The Best spans generations of classic American songwriting–covering classics by Lead Belly, Fred Neil, and Tim Hardin. While no longer with us in the physical, Karen’s growing musical presence is stronger than ever and worthy of re-examination by both the converted and the uninitiated alike. This new re-release serves as the definitive, all-analog version of Dalton’s stunning debut, featuring remastered audio from the original Capitol masters, the original 1969 artwork in an expanded gatefold jacket, unseen photos by album photographer Joel Brodsky, and an essay interviewing Karen’s friends and music collaborators, from album producer and bassist Harvey Brooks to musician Peter Stampfel of the Holy Modal Rounders.\u003c\/p\u003e","brand":"Light In The Attic","offers":[{"title":"Default Title","offer_id":44679356055776,"sku":null,"price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/LITA0451MOCKUP.jpg?v=1706212126"},{"product_id":"shererazaad-qasar-red-vinyl","title":"Shererazaad - Qasar (Red Vinyl)","description":"\u003cp\u003eToday, migration seems to be encoded into everyday habits. As so many of our minds and bodies aggressively globalise in unprecedented ways, previously fixed “genres” and identities of any kind are constantly being dismantled, made redundant, and born anew.\u003c\/p\u003e\n\n\u003cp\u003eIt’s from this space of flux that American composer and vocalist Sheherazaad derives song. Her mini-album, Qasr, was engendered during a time of family estrangement, grief over a lost elder, and the racial polarisation of her country as she knew it.\u003c\/p\u003e\n\n\u003cp\u003eTranslating to “castle” or “fortress” in Urdu, Qasr is indeed a monument — like encapsulation of the real strains of displacement, the push and pull of diaspora, and the depravity of erasure and forgotten roots. These experiences and their inherent violence, hysteria, and romance imbue her sonic deep-dive into the world of the so-called in-between.\u003c\/p\u003e\n\n\u003cp\u003eNative to the San Francisco Bay Area, Sheher studied Arabic, Hindi, and Urdu in an attempt to re-access lost heritage, where she quickly advanced and wrote test lyrics. These would result in her self-released 2020 underground project Khwaabistan, and garner the attention of Arooj Aftab, who offered to produce her next record.\u003c\/p\u003e\n\n\u003cp\u003eWorking long-distance from separate coasts during the pandemic, the pair got to work on Qasr. The collaboration would culminate in the heart of Brooklyn at the Glass Wall studio, during late-night, feverish recording sessions and utilising a groundbreaking cast of international musicianship, including Basma Edrees (Egypt), Gilbert Mansour (Lebanon), and Firas Zreik (Palestine); mastered by Heba Kadry (Björk, Ryuichi Sakamoto).\u003c\/p\u003e\n\n\u003cp\u003eAnd so, on Qasr, Sheherazaad gives us a beguiling new soundscape, not yet of this world. But she also stokes the flame of fantasies inherent to the nomadic experience, which may finally be brought to the fore. Overall, the bewitching album finds an artist building her own fortress, while enticing us to forge our own castles, musical queendoms, and impossible dreamlands.\u003c\/p\u003e","brand":"ERASED TAPES","offers":[{"title":"Default Title","offer_id":44688361980128,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/ERATP164LE-vinyl-mockup_limited-red-edition.jpg?v=1706548666"},{"product_id":"shererazaad-qasar-black-vinyl","title":"Shererazaad - Qasar (Black Vinyl)","description":"\u003cp\u003eToday, migration seems to be encoded into everyday habits. As so many of our minds and bodies aggressively globalise in unprecedented ways, previously fixed “genres” and identities of any kind are constantly being dismantled, made redundant, and born anew.\u003c\/p\u003e\n\n\u003cp\u003eIt’s from this space of flux that American composer and vocalist Sheherazaad derives song. 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The result is an extraordinary fusion of creativity, an embrace of artistic freedom, and a testament to what music can be when given the chance to roam beyond convention.\u003c\/p\u003e","brand":"LAW OF RHYTHM","offers":[{"title":"Default Title","offer_id":44724022345952,"sku":null,"price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/jahari.webp?v=1706822905"},{"product_id":"jan-garbarek-quartet-afric-pepperbird-lp-luminessence-series-audiophile-vinyl-edition","title":"Jan Garbarek Quartet - Afric Pepperbird (LP Luminessence Series - Audiophile Vinyl Edition)","description":"\u003cp\u003eLuminessence, ECM's new audiophile vinyl-reissue series, is a kaleidoscope, shedding light on the jewels of the label's deep catalogue in elegant, high-quality editions - audiophile vinyl pressing, high-grade tip-on gatefold sleeves that include new liner notes Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year's Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signalled the arrival of four Norwegian improvisers - Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen - at the fedgling ECM label. It was the start of a lifelong association with each of the musicians, whose infuence was soon to reach far beyond the borders of their homeland. In extended passages on Afric Pepperbird, with Christensen and Andersen stretching out, it's quite often Rypdal effectively holding the centre with taut chords. Everybody is roaring here, with Garbarek deep into his free jazz vocabulary. \"Garbarek should be heard,\" wrote reviewer Joe Klee in DownBeat. \"I would venture that not since Django Reinhardt has there been a European jazz musician so original and forward-looking as this young Norwegian.\"\u003c\/p\u003e","brand":"ECM","offers":[{"title":"Default Title","offer_id":44724022673632,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/pepperbird.webp?v=1706822941"},{"product_id":"john-taylor-norma-winstone-kenny-wheeler-azimuth-lp-luminessence-series-audiophile-vinyl-edition","title":"John Taylor, Norma Winstone \u0026 Kenny Wheeler - Azimuth (LP Luminessence Series - Audiophile Vinyl Edition)","description":"\u003cp\u003eLuminessence, ECM's new audiophile vinyl-reissue series, is a kaleidoscope, shedding light on the jewels of the label's deep catalogue in elegant, high-quality editions - audiophile vinyl pressing, high-grade tip-on gatefold sleeves that include new liner notes Recorded in 1977 and now reissued in ECM's audiophile Luminessence vinyl series, the debut album of the Azimuth trio was truly ahead of its time. Formed by adding Canadian-born trumpeter Kenny Wheeler to the British duo of pianist John Taylor and vocalist Norma Winstone, the group's futuristic musical palette embraced hypnotic, minimalistic pulse patterns, otherworldly synthesizer sounds, songs, collective improvisation and solo fights. In recent seasons, the number of listeners under Azimuth's sway has grown exponentially, as the music has adapted itself to new contexts. The vast international audience that has heard fragments of Azimuth's \"The Tunnel\" as part of a major rap hit by Drake in 2023 (on his 200M+ streaming \"IDGAF\"), can now discover the original in its pristine form, still magical after all these years - as is the whole album. Produced by Manfred Eicher, this new edition with gatefold sleeve adds liner notes detailing Azimuth's story.\u003c\/p\u003e","brand":"ECM","offers":[{"title":"Default Title","offer_id":44724023066848,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/azimuth.webp?v=1706822974"},{"product_id":"the-selecter-too-much-pressure-40th-anniversary-edition","title":"The Selecter - Too Much Pressure (40th Anniversary Edition)","description":"\u003cp\u003eThey were one of the few racially and sexually integrated bands on the scene.\n\u003cbr\u003eVocalist Pauline Black wrote about sexism, racism, and social issues. Their debut\n\u003cbr\u003erelease was the AA side of the Specials single 'Gangsters' in the summer of 1979,\n\u003cbr\u003ewhich just consisted of Neol Davies and John Bradbury (of The Specials) before\n\u003cbr\u003equickly forming a full band by the end of the year. Releasing their follow up single\n\u003cbr\u003e'On My Radio' which reached No. 6 in the UK charts. 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From the Nile Rodgers co-write of new single\n\u003cbr\u003e'Feeling Alright', to the frantic 'Beautiful Girl', horn-laden Kaiser Chiefs throwback\n\u003cbr\u003e'Job Centre Shufe' and joyous punch in the gut that 'Jealousy', these ten tracks\n\u003cbr\u003eare a true statement of intent from a band that continues to deliver the goods\n\u003cbr\u003eagain and again. Where 2019's Duck straddled the tide between Northern- Soul\n\u003cbr\u003eeuphoria and early '00s antithesis, 2024 will see Kaiser Chiefs stepping into a\n\u003cbr\u003erenewed spotlight; a hook- heightened universe in which Ricky Wilson, Andrew\n\u003cbr\u003e\"Whitey\" White (guitar), Simon Rix (bass), Keyboardist Peanut and Vijay Mistry on\n\u003cbr\u003edrums, come together to once again create what they craft best; breakthrough\n\u003cbr\u003ebelters for the world's dancefoor.\u003c\/p\u003e","brand":"KAISER CHIEFS RECORDINGS LTD","offers":[{"title":"Default Title","offer_id":44724023656672,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0568\/6450\/6005\/files\/kaiserchiefs.webp?v=1706823060"},{"product_id":"azymuth-outubro","title":"Azymuth - Outubro ('Deep Aqua' Blue Vinyl)","description":"\u003cp\u003eFollowing on from their seminal Light As A Feather LP, Outubro (October)\n\u003cbr\u003ewas originally released in 1980 and began Azymuth's run of prolifc\n\u003cbr\u003eoutput for Milestone Records throughout the decade\n\u003cbr\u003eTypifying the consummate craftsmanship of the three members' performances -\n\u003cbr\u003eeach with such distinct personality and together so perfectly balanced - their\n\u003cbr\u003eperfectionist attitude to sound is maintained across the production on the album,\n\u003cbr\u003ebeautifully colouring the expressionist fusion of samba rhythm, jazz progression,\n\u003cbr\u003efunk attitude and psychedelic electronics. The album hosts a wonderful mix of\n\u003cbr\u003etempos and styles, from Alex Malheiros' earth- shaking slap- bass on 'Dear\n\u003cbr\u003eLimmertz', which was to become a hit on London's underground disco and jazzdance club scenes alike, to the late maestro Jose Roberto Bertrami's genial\n\u003cbr\u003emelodic Rhodes excursions on the vocoder laden, samba- jazz masterpiece 'Un\n\u003cbr\u003eAmigo', while Ivan 'Mamao' Conti's signature swing on 'Maracana' exemplifes the\n\u003cbr\u003eroot of Azymuth's 'samba doidoi' (crazy samba) philosophy. The two cover\n\u003cbr\u003eversions on the album consist of the title track which was originally penned by\n\u003cbr\u003eMilton Nascimento and Chick Corea's '500 Miles High', both of which magically\n\u003cbr\u003ereimagine the originals and further demonstrate the immense virtuosity of this\n\u003cbr\u003ecult recording. 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Side A serves as an expression of connection to the earth\n\u003cbr\u003eand to the ancestors, paying homage to the forest and the rivers of Northern Brazil with both the music and the album title, Y’Y, a word\n\u003cbr\u003ewritten in the Sateré Mawé dialect, an ancestral indigenous code that means water or river. And by bringing to life lessons he learned in\n\u003cbr\u003ethe Amazon about the incandescent power of enchanted spirits who intervene on behalf of the community in times of struggle. On Side\n\u003cbr\u003eB, Y’Y shows the connections between the global Black avant-jazz community. Bringing together multi-instrumentalist Shabaka\n\u003cbr\u003eHutchings, harpist Brandee Younger, bassist Aniel Someillan, guitarist Jeff Parker and drummer Hamid Drake, the music creates an\n\u003cbr\u003eartful conversation by weaving together jazz traditions from across the world, while staying rooted in the unique sounds and rituals\n\u003cbr\u003efound in Afro-Brazilian and Indigenous cultures. Freitas continues to intwine ancestral knowledge into music on Y’Y by bringing his\n\u003cbr\u003efresh, “decolonized” interpretation of Brazilian jazz and sharing music that may well shatter our preconceived notions of what jazz can\n\u003cbr\u003ebe. 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